Rush ~ Xanadu ~ Exit Stage Left [1981] The Wolf HunterZ Reactions

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Rush ~ Xanadu ~ Exit Stage Left [1981] The Wolf HunterZ Reactions
The Wolf HunterZ React to
Rush ~ Xanadu ~ Exit Stage Left [1981]
   • Rush ~ Xanadu ~ Exit Stage Left [1981] [Cl...  
"Xanadu" is a song by the Canadian rock band Rush from their 1977 album "A Farewell to Kings." It is approximately eleven minutes long, beginning with a five-minute-long instrumental section before transitioning to a narrative written by Neil Peart. This song is based on an unfinished poem called Kubla Khan by Samuel Taylor Coleridge, who started writing it while under the influence of drugs. Once the effects of the drugs wore off, he was unable to complete it.
In Coleridge's poem, Xanadu is the fictional name of the land where Khubla Khan ordered the dome to be built: "In Xanadu did Kubla Khan a stately pleasure dome decree." Coleridge goes on to describe the dome as a "Miracle of rare device, a sunny pleasure dome with caves of ice." The notion of the "Man from Porlock" is a famous yet unsubstantiated tale offered by Coleridge himself to explain why his poem is unfinished.
The legend of Xanadu is related to a number of myths and legends going back to the prehistory of Asia, specifically that of Shamballa. There was a movement in the time of Coleridge to explore these legends, in doing so we are tapping into the universal consciousness, an ability that the members of Rush seem to be quite adept.
In Peart's lyrics, the narrator describes searching for a place called "Xanadu" that will grant him immortality. After succeeding in this quest, a thousand years pass, and the narrator is left "waiting for the world to end", describing himself as "a mad immortal man".
Although the song does not explicitly state where "Xanadu" is, references to Kubla Khan imply that it is a mythical place based on Shangdu, the historical summer capital of the Mongol Empire.
"Xanadu" is the first Rush song in which synthesizers are an integral part. Unlike the previous albums 2112 and Caress of Steel, "Xanadu" used both guitar and synthesizer effects.
The song also marks Rush's clear foray into program music, although previous albums had displayed some elements of this. Subsequent albums during the late 1970s and early 1980s would see the group explore program music more systematically.
"Xanadu" requires each band member to utilize an array of instruments to affect the performance. Alex Lifeson used a double-necked Gibson electric guitar (one twelve-string, the other six-string) as well as synthesizer pedals; Geddy Lee made use of a double-necked Rickenbacker 4080 Bass/Guitar, as well as extensive synthesizer arrangements (through both pedals and keyboards) in addition to singing; and Peart took on various percussion instruments (temple blocks, tubular bells, bell tree, glockenspiel, and wind chimes) in addition to his drum kit.
Geddy Lee - Double Neck Bass/12 String Guitar, Taurus Pedals, Keyboards/Synths, Vocals
Alex Lifeson - Double Neck 12 String/6 String Guitar, Taurus Pedals
Neil Peart - Drums, Percussion (temple blocks, tubular bells, bell tree, glockenspiel, and wind chimes)
Kubla Khan, by Samuel Taylor Coleridge

Song
Xanadu (Live In Canada / 1980)
Artist Rush
Writers
Geddy Lee, Neil Peart, Alex Lifeson
Licensed to YouTube by
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