Eyes Wide Shut: Stanley Kubrick's Swan Song

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What exactly is wrong with Eyes Wide Shut? Let’s find out!

Music is from Epidemic Sound

SOURCES:

Seth Abramovich. “Searching for Shelley Duvall: The Reclusive Icon on Fleeing Hollywood and the Scars of Making ‘The Shining’” The Hollywood Reporter (2021).
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Roger Ebert. “Eyes Wide Shut” (1999).
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Kevin Filipski. “Jan Harlan Keeps His Eyes Wide Open On New Ideas” Times Square (2007).
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Michael Herr, “Kubrick” Vanity Fair, (2000). 
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James Israel. “Kubrick Apparently Thought “Eyes Wide Shut” Was A ‘Piece of Shit’?” Indie Wire (2006).
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Robert Kolker and Nathan Abrams, “The Elusive Jewishness of “Eyes Wide Shut” — Stanley Kubrick’s Final Film” Forward (2019). 
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Audre Lorde, “The Uses of the Erotic” Sister Outsider, Crossing Press (1984).

Stefan Mattessich, “Grotesque Caricature: Stanley Kubrick’s Eyes Wide Shut as the Allegory of Its Own Reception” Postmodern Culture, Volume 10, Number 2, (2000).

Amy Nicholson, Eyes Wide Shut at 15: Inside the Epic, Secretive Film Shoot that Pushed Tom Cruise and Nicole Kidman to Their Limits, Vanity Fair (2014).
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Paul O’Callaghan, “Eyes Wide Shut, 20 years on: how does Stanley Kubrick’s last testament stand up?” BFI (2021).
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Stephen Pizzello, “A Sword in the Bed: Eyes Wide Shut” American Cinematographer (2020). 
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Ed Power, “Eyes Wide Shut: 20 years on, Stanley Kubrick’s most notorious film is still shrouded in mystery” Independent (2019). 
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Jonathan Rosenbaum & Peter Loewenberg in Depth of Field: Stanley Kubrick, Film, and the Uses of History, University of Wisconsin Press (2006).

Schnitzler to Theodor Reik, December 31, 1913, Schnitzler Briefe, 1913-31, 35-36. 

Lee Siegel, “EYES WIDE SHUT: WHAT THE CRITICS FAILED TO SEE IN KUBRICK’S LAST FILM” Harper’s October 1999: 76-83.

Linda Ruth Williams, The Erotic Thriller in Contemporary Cinema, Indiana University Press, (2005).