Schu-Tone Luna Obscura A Definitive Analog Dark Side of the Moon Pedalboard? - Get You Gilmour On!

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ABOUT THIS VIDEO
The guitar loops were recorded direct and with a tc electronics ditto+, matched at output unity to accurately represent the original guitar sound, allowing real-time adjustments of the pedal for this demo review.
All loops were synced in a DAW for the combined demo.

Other gear used:
Guitar: 1993 PRS CE-24 (Alder Body, Maple Top)
Amp: Fender Super Champ X2 Head with matching 1x12 Cabinet
Microphone: Shure Beta57a
Cables: Boss (guitar, pedal) ProCo DynaMic (XLR)
Interface & DAW: MOTU M4 + MOTU Performer Lite

No additional amp, recording, or post effects were used to preserve the tonality of this pedal. A Limiter VST in FCP was applied in the mastering process for optimal sound reproduction.

About the Pedal:
"Come to the dark side with the Schu-Tone Luna Obscura! The Luna Obscura is an all-in-one pedalboard in a single pedal. Based on David Gilmour's rig from the Dark Side of the Moon era, this pedal has four separate circuits on-board:

-The Fuzz circuit is based on a silicon fuzz face that is perfect for nailing searing lead tones. Bright and body controls give you additional flexibility over the tonal balance you get from the fuzz.
-The Boost circuit is based on the orange Powerbooster. The drive and volume controls work together to give you amazing overdrive sounds and tons of volume boost on tap. What makes the boost special is the treble and bass controls. The EQ section allows you to cut and boost the high and low end, allowing you to shape the sound to what you need.
-The Vibe is a photocell and bulb based Uni-Vibe circuit. Swirling modulation is at your fingertips as you move the speed and depth controls. From light modulation to seasick movement, it is all available to you. A volume control for the Vibe makes sure that you will not experience any volume drop when you kick the vibe on.
-The Delay is a 4-head rhythmic delay based on the Binson Echorec unit. Unlike the Binson, this delay is capable of up to 800ms of delay. Mix and swell controls let you dial in how prominent the delay is in the mix and sets the amount of repeats you hear. What is unique about this delay is the 4 separate heads. Have one head active for single delays, or turn on multiple heads to create rhythmic delay patterns."

"Forest in the Mist", and this video
©MMXXIII Dave Belknap, Decibolic LLC.
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