Master Class with Jacob Collier [FULL VIDEO] at Berklee College of Music Learning Center

Master Class with Jacob Collier Berklee College of Music Learning Center

TIME STAMPS
00:00 - Introduction to the Masterclass
02:00 - Arranging songs and Jacob's workflow (Fascinating Rhythm as an example)
07:40 - What's the lowest note Jacob can sing?
08:38 - Fascinating Rhythm segment from the bass up to the melody
10:17 - "Equal Temperament is a scam" and "properly tuning chords"
14:16 - Fourths and Fifths in voicings
16:07 - "Super Lydian" and "Super-Ultra-Hyper-Mega-Meta-Lydian"
17:17 - Tonality, key centers, cadences and resolutions
27:13 - Last couple of chords from Fascinating Rhythm
30:00 - Working triads over bass notes (major triads)
33:10 - Figuring out harmony using piano
34:36 - More about Lydian and the harmonic series
37:25 - Personality of the notes of the scale
40:29 - Chord tensions and voice timbre
42:33 - Semitones at the top of voicings
45:48 - Changing voice texture depending on chord tensions
46:55 - Panning voices
47:37 - Fascinating Rhythm easter egg
52:19 - Last chords of Fascinating Rhythm (again)
52:55 - How often does Jacob "properly" tune chords?
54:27 - Microtones ("Don't you worry 'bout a thing" example)
57:56 - Dorian cluster and working triads over bass notes (minor triads)
1:02:10 - "Fascinating Rhythm" groove
1:04:12 - Grooves in general
1:04:22 - "Fascinating Rhythm" bridge groove and unquantized grooves
1:07:45 - One of Jacob's groove experiments (+1,5 semitones solo modulation)
1:10:35 - Back to "Fascinating Rhythm" bridge groove
1:14:24 - Unquantized grooves (again)
1:16:49 - Microtones (again)
1:17:10 - Back to unquantized grooves
1:17:36 - "Close to you" groove
1:21:05 - Speech and grooves
1:24:32 - Other influences other than African and Western music