Green Screen Unreal SECRETS (and a LIE!) DaVinci to Unreal Engine TUTORIAL

This tutorial is packed with tips and tricks for filmmakers and VFX artists looking to incorporate green screen or blue screen footage into their Unreal Engine projects. Whether you're a beginner or experienced user, you'll learn valuable techniques to enhance your workflow and achieve professional-looking results.

In this video, I'll guide you through my entire process, from shooting blue screen plates to compositing the final result in DaVinci Resolve. We'll cover:

Blue screen vs green screen: Why blue is often better for film.
Shooting tips for clean keys: Lighting, wardrobe, and production design considerations.
Keying in DaVinci Resolve Fusion: Extracting the subject and refining edges.
Exporting with the DWA codec: Optimizing for Unreal Engine.
Creating media textures in Unreal: Importing and setting up your footage.
Masking vs translucent materials: Achieving realistic results with dithered temporal AA.
Color correction in Unreal: Matching your subject to the scene.
The magic "divide" node: Fixing dark edges around your keyed subject.
Working with the sequencer: Integrating your footage into Unreal Engine's timeline.
Creating custom shadows: Enhancing realism and control.
Color correction regions: Powerful in-engine compositing tools.
Rendering with overscan: Providing flexibility for post-production.
Final compositing in DaVinci Resolve: Adding lens distortion, film grain, and more.

Don't forget to like and subscribe for more Unreal Engine tutorials! It's an incredible time to be able to make a VFX movie and I hope you can make YOUR OWN too!

0:00 Intro
1:06 Blue Screen vs Green Screen
2:12 Color Science Overview
3:58 Blue Screen Tips
8:07 Keying in DaVinci Resolve
14:37 Exporting EXRs with DWAA Compression from Davinci Fusion
20:17 Importing Image Sequence into Unreal Engine
20:45 Creating a Media Texture
23:18 Making a Master Material
28:42 Unpremultiplying Alpha - Divide Node
31:11 Adding the Material to a Plane
33:37 Creating a Material Instance
34:25 Color Correction with MFChromaKey node
38:27 Using the Sequencer
42:09 Custom Shadows
47:00 Color Correction Regions
52:03 Rendering with Movie Render Queue
59:44 Importing EXRs Back into DaVinci Resolve for Finishing
1:02:40 Color Space Transform
1:06:40 Lens Distortion and Reframing
1:08:00 Creating a Filmic Look with my Favorite Effects in the Color Page
1:15:00 Next Steps and Next Videos Suggestions Welcome

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Music featured is a little snippet from the future sound track to x0dus, composed by the incredible ‪@shemvonschroeck‬ and ‪@StephenDuros‬
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