Kancharapalem Venkatesh Maha's Film Making Secrets | The Director's Chair with Ajay Vegesna | S1:E10

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Maha is a path breaking director of Telugu new wave cinema "Care of Kancharapalem". With shoe-string budget and almost all non-actors he created a beautiful masterpiece that will be cherished in the history of Telugu Cinema.

We at Bommalaata are honored to have him on board in a free-wheeling interview of The Director's Chair with Ajay Vegesna.

Here he explains..

How he learned his craft?
What aspirants need to do to get into the industry?
How the story of Kancharapalem evolved?
How did he crack the ending of Kancharapalem?
His thought process behind few key scenes of Kancharapalem
and many more craft related stuff....

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INTERVIEWS

💓 Tharun Bhaskar (పెళ్లిచూపులు) - తరుణ్ భాస్కర్    • Writing Secrets of Tharun Bhascker  |  The...  

💓 Ajay Bhupathi (RX 100) - అజయ్ భూపతి
   • RX100 Ajay Bhupathi in The Director's Chai...  

💓 Prasanth Varma (Awe) - ప్రశాంత్ వర్మ    • Kalki Director Prasanth Varma's Film Makin...  

💓 Indraganti Mohan Krishna (సమ్మోహనం, జెంటిల్ మ్యాన్) - ఇంద్రగంటి మోహన్ కృష్ణ
   • Writing Secrets of Director Indraganti Moh...  

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WRITING TIPS / CRAFT BYTES

💚 కథని మలుపు తిప్పే మంత్రం - పార్ట్ 1 (Inciting Incident Part 1 of 2)
   • Understanding Inciting Incident - Part 1 o...  

💚 పది సెకండ్ల లో కథను చెప్పే రహస్యం - (Secrets of Writing Loglines)    • How to tell (sell) your story in 10 second...  

💚 అసిస్టెంట్ డైరెక్టర్ గా పనిచెయ్యాలా? - (Do I need to work as an Assistant Director)
   • Do I need to work as an Assistant Director...  

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PLAYLISTS

⭐ ALL WRITING TIPS / CRAFT BYTES
   • దయచేసి పుస్తకాలు చదవకండి |  DO NOT READ AN...  

⭐ ALL INTERVIEWS with LEADING FILMMAKERS
   • Writing Secrets of Tharun Bhascker  |  The...  
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Bommalaata is a web channel intended to promote Telugu cinema through craft related interviews and discussions related to filmmaking. Its purpose is to encourage film making aspirants of various departments understand the intricacies of the craft through meaningful conversations with established makers of Telugu Cinema, towards such purpose the programs use short extracts of cinematograph films, sound recording and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works are in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.


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