Piano Sonata in B♭ major, D. 960 (4th mvt, Allegro non troppo – Presto) - Franz Schubert | M. Sheet
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Piano Sonata in B♭ major, D. 960 (4th mvt, Allegro non troppo – Presto) - Franz Schubert | Music Sheet
Sonata in B♭ major, D. 960
IV. Allegro ma non troppo – Presto
The finale has the same structure as that of the previous sonata. Many elements of this movement imply large-scale resolution of harmonic and thematic conflicts established earlier in this and even the two previous sonatas. The main rondo theme opens with an 'empty' octave on G, which resolves to C minor, subsequently interpreted as ii in B♭ major. Alfred Brendel asserts that this theme, beginning in the ambiguous G/Cm, functions as a resolution of the troubling G♭ trill presented in the very beginning of the sonata, using G♭ to resolve to F major as dominant of B♭.[citation needed] The second theme, in ternary form, is written in the traditional key of the dominant, with a central section in D major; it consists of an extended, characteristically Schubertian stepwise melody played over an uninterrupted flow of semiquavers. This second theme uses the same melodic contour (5–8–7–6–6–5–(5–4–4–3)) of the remarkable C-major modulation in the final A section of the second movement, implying further connotations of conflict resolution.
Music Sheet
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