Seihou esei ll folk song ll Lai haraoba 5 ni panba ll Gorgory ll Ballu mombhamyum
Автор: BALLU MOMBHAMYUM
Загружено: 2025-05-25
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Seihou esei ll folk song ll Lai haraoba 5 ni panba ll Gorgory ll Ballu mombhamyum
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Hoi Laoba or Lai Haraoba rituals or festivals. Lai Haraoba is a traditional festival celebrated by the Meitei people of Manipur, India. It is an important ritual that involves worship of ancestral deities and involves dances, music, and other ceremonial practices.
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About:-
Lai Haraoba is a traditional religious and cultural festival celebrated by the Meitei people of Manipur and other areas where they reside, including Assam, Tripura, Bangladesh, and Myanmar. It translates to "merrymaking of the gods" or "pleasing the gods" in Meitei, and is a ritualistic event involving dance, music, and theatrical performances to honor local deities, ancestors, and the creation story.
Key Aspects of Lai Haraoba:
Religious Significance:
Lai Haraoba is central to the Sanamahism religion of the Meitei people, a pre-Hindu indigenous faith. It involves venerating local deities, primarily the Umang Lai, and paying homage to ancestors.
Rituals and Practices:
The festival includes various rituals, including the descent of the gods, the maibi (female ritual specialists) performing dances and chants, and the reenactment of the creation story.
Dance and Music:
Lai Haraoba is known for its traditional dances and music, particularly the maibi dances like laiching jagoi and laibou dances. These dances depict the creation of the world and various aspects of life.
Festive Atmosphere:
Lai Haraoba is celebrated with great joy and is a time for community gathering and celebration of their cultural heritage.
Flexibility in Duration:
The duration of the festival can vary from a few days to several weeks, depending on the specific shrine and the traditions of the community.
Connection to Manipuri Classical Dance:
It is believed that Lai Haraoba is the earliest form of Manipuri classical dance, which is one of India's eight classical dance forms.
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