Franz von Suppé - Poeta y campesino / Dichter und Bauer

Franz von Suppé or Francesco Suppé Demelli (April 18, 1819, Spalato (Split) May 21, 1895 (aged 76), Vienna) was an Austrian composer of light operas from Croatia. He was a composer and conductor of the Romantic period notable for his four dozen operettas.
Suppé was born as Francesco Ezechiele Ermenegildo Cavaliere Suppé Demelli in 1819 in Split, Dalmatia, Austrian Empire, in the territory of today's Croatia. He was a descendant of a Belgian family that probably emigrated there in the 18th century.[3] His father was a civil servant in the service of the Austrian Empire like his father before him, and his mother Viennese by birth.[4] He was a distant relative of Gaetano Donizetti. He simplified and Germanized his name when in Vienna, and changed "cavaliere" to "von". Outside Germanic circles, his name may appear on programs as Francesco Suppé-Demelli.
He spent his childhood in Zadar, where he had his first music lessons and began to compose at an early age. As a boy he had no encouragement in music from his father, but was helped by a local bandmaster and by the Spalato cathedral choirmaster.[4] His Missa dalmatica dates from this early period. As a teenager in Cremona, Suppé studied flute and harmony. His first extant composition is a Roman Catholic Mass, which premiered at a Franciscan church in Zadar in 1832. He moved to Padua to study law, a field of study not chosen by him, but continued to study music. Suppé was also a singer, making his debut in the role of Dulcamara in Donizetti's L'elisir d'amore at the Sopron Theater in 1842.
He was invited to Vienna by Franz Pokorny,[3] the director of the Theater in der Josefstadt. In Vienna, after studying with Ignaz von Seyfried and Simon Sechter, he conducted in the theater, without pay at first, but with the opportunity to present his own operas there. Eventually, Suppé wrote music for over a hundred productions at the Theater in der Josefstadt as well as the Carltheater in Leopoldstadt, at the Theater an der Wien, and a theater at Baden. He also put on some landmark opera productions, such as the 1846 production of Meyerbeer's Les Huguenots with Jenny Lind.
Suppé's grave at the Zentralfriedhof
Franz von Suppé died in Vienna on May 21, 1895 and is buried on the Zentralfriedhof.
Two of Suppé's comic operas have been performed at the Metropolitan Opera in New York, Boccaccio and Donna Juanita, but they failed to become repertoire works. He composed about 30 operettas and 180 farces, ballets, and other stage works. Though the bulk of Suppé's operas have sunk into relative obscurity, the overtures, particularly Leichte Kavallerie (Light Cavalry) and Dichter und Bauer (Poet & Peasant), have survived and some of them have been used in all sorts of soundtracks for movies, cartoons, advertisements, and so on, in addition to being frequently played at symphonic "pops" concerts. Some of Suppé's operas are still regularly performed in Europe; Peter Branscombe, writing in the New Grove Dictionary of Music and Musicians, characterizes Suppé's song Das ist mein Österreich as "Austria's second national song".
Suppé retained links with his native Dalmatia, occasionally visiting Split, Zadar, and Šibenik. Some of his works are linked with Dalmatia, in particular his operetta The Mariner's Return, the action of which takes place in Hvar. After retiring from conducting, Suppé continued to write operas, but shifted his focus to sacred music. He also wrote a Requiem for theater director Franz Pokorny, three Masses, songs, symphonies, and concert overtures. The descriptive nature of von Suppé's overtures have earned them frequent use in numerous animated cartoons:
Morgen, Mittag, und Abend in Wien (Morning, Noon, and Night in Vienna) was the central subject of the Bugs Bunny cartoon, Baton Bunny. One small segment of that work, about 6 minutes in, is recognizable[who?] as the inspiration for Dudley Do-Right's theme music. Poet & Peasant appears in the Fleischer Studios 1935 Popeye cartoon, The Spinach Overture and the overture to Light Cavalry is used in Disney's 1942 Mickey Mouse cartoon Symphony Hour.