Louis Gottschalk - Solitude, Op.65

Gottschalk (1829-1869) was an American composer and pianist, best known as a virtuoso performer of his own romantic piano works. (This piece was probably composed in the mid 50's). He spent most of his working career outside of the United States.

At the age of 13, Gottschalk left the United States and sailed to Europe, as he and his father realized a classical training was required to fulfill his musical ambitions. The Paris Conservatoire, however, rejected his application without hearing him, on the grounds of his nationality; Pierre Zimmerman, head of the piano faculty, commented that "America is a country of steam engines".

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After a concert at the Salle Pleyel, Frédéric Chopin remarked: "Give me your hand, my child; I predict that you will become the king of pianists." Franz Liszt and Charles-Valentin Alkan, too, recognised Gottschalk's extreme talent.
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After Gottschalk returned to the United States in 1853, he traveled extensively; a sojourn in Cuba during 1854 was the beginning of a series of trips to Central and South America.

Gottschalk also traveled to Puerto Rico after his Havana debut and at the start of his West Indian period. He was quite taken with the music he heard on the island, so much so that he composed a work, probably in 1857, entitled Souvenir de Porto Rico; Marche des gibaros, Op. 31 (RO250). "Gibaros" refers to the jíbaros, or Puerto Rican peasantry, and is an antiquated way of writing this name. The theme of the composition is a march tune which may be based on a Puerto Rican folk song form.

At the conclusion of that tour, he rested in New Jersey then returned to New York City. There he continued to rest and took on a very young Venezuelan student, Teresa Carreño. Gottschalk rarely took on students and was skeptical of prodigies, but Carreño was an exception and he was determined that she succeed. With his busy schedule, Gottschalk was only able to give her a handful of lessons, yet she would remember him fondly and performed his music for the rest of her days. A year after meeting Gottschalk, she performed for Abraham Lincoln and would go on to become a renowned concert pianist earning the nickname "Valkyrie of the Piano".

Gottschalk's music was very popular during his lifetime and his earliest compositions created a sensation in Europe. Early pieces like Bamboula, La Savane, Le Bananier and Le Mancenillier were based on Gottschalk's memories of the music he heard during his youth in Louisiana and are widely regarded as the earliest existing pieces of creole music in classical culture. In this context, some of Gottschalk's work, such as the 13-minute opera Escenas campestres, retains a wonderfully innocent sweetness and charm. Gottschalk also utilized the Bamboula theme as a melody in his Symphony No. 1: A Night in the Tropics.

Many of his compositions were destroyed after his death, or are lost.
Thanks to Robin Schreiber for a nice transcription of this composition on imslp.
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