Phantasia - Call of Ethernity (1982)

©️ 𝐏𝐇𝐀𝐍𝐓𝐀𝐒𝐈𝐀 - 𝐂𝐀𝐋𝐋 𝐎𝐅 𝐄𝐓𝐇𝐄𝐑𝐍𝐈𝐓𝐘
Released in 1982, Call of ethernity (永遠への誘い) is the last album of phantasia's trio era and served as the grand finale to their Starborn Metamorphosis trilogy. This series of albums saw the band evolve from their jazz fusion roots into a more electronic funk and disco-inspired sound, pushing creative boundaries while embracing a sense of transformation.

The album centers on themes of ascension and renewal, taking their music to new heights with progressive arrangements and experimental touches. Notably, the final track features subtle vocal elements, used for the first time in the band's discography, to embody the "call" referenced in the title, adding a profound sense of closure to this prolific chapter in their discography.

Fun Fact:
When the band decided to incorporate female vocal samples for the final track, they didn’t know where to start. Turning to their mentor, Ryo Kobayashi, for advice, they were unexpectedly introduced to a young and talented Keiko Arai. This serendipitous meeting would change the course of Phantasia’s history, as Keiko went on to join the band and become an integral part of their future sound.

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Track List:

00:00 - Jungle Pulse (密林の鼓動)
05:23 - Moonlight on the River (川面の月光)
09:23 - Cosmic Ovation (宇宙の喝采)
12:46 - Thrive of the Wild (荒野の息吹)
16:39 - Your Fragment of Heaven (あなたの天のかけら)
20:02 - The Ascension Ritual (昇天の儀式)
23:07 - Boundless Essence (無限の本質)
27:23 - Circle of Fate (宿命の輪廻)
31:24 - Voyage Among the Stars (星々の旅路)
33:52 - Soul Memories (魂の記憶)
38:32 - Metamorphose (変容)
42:00 - Call of Ethernity (永遠への誘い)

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Guitar/Keyboards: Takashi Yamada (山田 隆司)
Bass/Saxophone: Hiroshi Nakamura (中村 博)
Drums/Percussions: Shun Tanaka (田中 俊)
Vocals (Last Track): Keiko Arai (新井 恵子)

Produced by Zodiac Records (十二宮音録).

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This album draws inspiration from George Duke, Giorgio Moroder and Yellow Magic Orchestra.

This project utilizes AI technology to enhance visuals and audio.

All tracks and images are the property of PhantasiaRecords.

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