Scrivener for Writing Musical Theatre? - My Writing Software Review

Writing Software Review
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Scrivener, Final Draft, Celtx, WriterDuet…there is a ton of writing software out there to choose from. Although there are clear standards for screenwriting, theatrical writing gets a little lost in the mix. For the past six years plus I’ve been using Scrivener as my go-to, so here is my full review of Scrivener and why I think it’s a great choice.

Time Stamps:

0:00 - Scrivener & Writing Musical Theatre
0:36 - What is Scrivener?
1:08 - Why Scrivener for Musical Theatre?
1:49 - Organization & Workflow
2:48 - Music & Lyrics Integration
3:44 - Collaboration
4:44 - Leaning Curve
5:43 - Exporting & Compatibility
6:49 - Cost & Licensing
7:39 - Customization & Flexibility
8:21 - Scrivener’s Unique Features
10:29 - Technical Things to Note
11:09 - Scrivener Recommendation?

#MusicalTheatre #Writing #Musicals

Additional Footage Belongs to Scrivener and the original copyright holder
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Michael Radi (all pronouns) is a Composer-Lyricist, Librettist, Performer, Vocal Coach, and Musical Director currently residing in New York City. He is an alumnus of the esteemed Lehman Engel BMI Musical Theatre Writing Workshop as a lyricist, and has written four full-length musical theatre pieces in addition to ongoing projects. His original musical The King’s Legacy, which received its world premiere production in August 2019 at the Bristol Valley Theater in Naples, NY, and has also been presented in Industry Reading format both in fall of 2019 as part of the Dramatists Guild Friday Night Footlights and in November 2016. More recently, his original one-man show ’S Wonderful: An Evening with George Gershwin just played its premiere production, also at BVT. Other current projects include a musical adaptation of The Legend Of Sleepy Hollow, a one-man show soon to be announced, and a family-oriented musical comedy set in the world of competitive baton twirling, based off his family's history with the sport.

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   • "The King's Legacy" Teaser  

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