How not to get sued for your music!

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for decades on hit records & films ✅
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ABOUT THIS VIDEO

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How Not to Get Sued for Your Music
Want to avoid legal trouble with your music? In this essential video, acclaimed forensic musicologist Richard Green shares the key strategies professional composers and producers need to know to steer clear of copyright infringement claims.

Learn how to safely:
• Clear samples and secure usage rights
• Understand "fair use" for social media (and stay monetized)
• Protect yourself with indemnification and music clearance practices
• Manage risk when licensing or selling your music

This isn’t a debate about AI or artistic inspiration — it’s practical guidance for anyone who wants a lasting, lawsuit-free career in music.

Please like and subscribe and let me know what you think in the comments—and if you've already run into questions about AI and ownership, I’d love to hear your experience.

Also check out my synthesizer course "Think Like a Synth" anthonymarinellimusic.com to learn the exact method that I've used on records and films.
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ABOUT ANTHONY

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller .

His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

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