REACTION TO “Piano Concerto No 4 1st mov’t” by L v Beethoven PC Sequel Series Part 1 of 5

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THE WOLF HUNTERZ Reaction To
“Piano Concerto No.4 (1st mov’t)” by L.v Beethoven (PC Sequel Series Part 1 of 5)
   • Hélène Grimaud: Beethoven - Piano Concerto...  
Hi Travis and Suzi! Welcome to part one of my second series featuring the piano concerto! To kick things off, we begin with my other favorite Beethoven piano concerto, the Fourth. While his Fifth “The Emperor” is extroverted and majestic, this concerto is intimate and introspective. The pianist in this performance became my favorite living pianist after the tragic death of Lars Vogt in 2022. Helene Grimaud is also hands-down my favorite interpreter of the German Romantic repertoire including Beethoven and, especially, Brahms. Watching her face is fascinating as her eyes have a certain intensity that I cannot describe. This concerto has a couple of features that stand out to me: First, the piece opens with a piano solo, which is rare within the piano concerto repertoire. I remember a performance I saw in college where the pianist forgot that she started the piece, but, after the conductor and pianist nodded back and forth several times to one another, the pianist finally remembered and began playing. Second is the intensity of the cadence that ushers in the recap (right around the 12 minute mark). The horns seem to scream “Now… WE’RE in G!” to bring us back to the tonic key. Of course all they really say is “WHaaaaahhh…. WHAH WAwah!” You’ll know when this moment happens because the camera will cut to an extreme closeup of one of the horns. I hope you all appreciate this second series of piano concertos that are among those of the highest order. None of these works are flashy, trashy, or schmaltzy as is often the case with so many works in this medium. And while everyone needs a little schmaltz from time to time, I have carefully and lovingly skimmed off all of the schmaltz with these performance selections. As promised in the Poulenc preview, here is a haiku I’ve written to accompany the work: “The old woman’s shoe; worn by so many children; was repaired like new.” (Please start at 0:45 and end at 20:44.)

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