《贵妃醉酒》

贵妃醉酒又名《百花亭》，源于乾隆时一部地方戏《醉杨妃》的京剧剧目，该剧经京剧大师梅兰芳倾尽毕生心血精雕细刻、加工点缀，是梅派经典代表剧目之一。
　　此剧本主要描写杨玉环醉后自赏怀春的心态，表演色情，格调低俗。20世纪50年代，梅兰芳去芜存精，从人物情感变化入手，从美学角度纠正了它的非艺术倾向。剧中，杨玉环的饮酒从掩袖而饮到随意而饮，梅兰芳以外形动作的变化来表现这个失宠贵妃从内心苦闷、强自作态到不能自制、沉醉失态的心理变化过程。繁重的舞蹈举重若轻，像衔杯、卧鱼、醉步、扇舞等身段难度甚高，演来舒展自然，流贯着美的线条和韵律[1]。可惜梅兰芳拍摄京剧电影《贵妃醉酒》时虽然功力深厚，毕竟已年过花甲，对高难度动作有所改动。所幸梅派艺术后继有人，令该剧仍然常演常新。

导演: 董克娜 #李秉忠
主演: 梅兰芳 #姜妙香
类型: 戏曲
制片国家/地区: 中国大陆
片长: 44分钟

"The Drunken Concubine" #HD #Opera [The most important repertoire in the history of Chinese Peking Opera Look at Mei Lanfang's me, both bent and straight] #The Drunken Concubine (1956) @Inclusive of all rivers @Classic old movie

The drunken concubine, also known as "Hundred Flower Pavilion", originated from the Peking Opera repertoire of a local opera "Drunken Yang Concubine" in the Qianlong period, which was meticulously carved and processed by Peking Opera master Mei Lanfang with all his life's painstaking efforts, and is one of the classic representative repertoire of the Mei School.
This script mainly depicts Yang Yuhuan's mentality of appreciating himself after being drunk, performing eroticism and vulgarity. In the 50s of the 20th century, Mei Lanfang removed the essence and corrected its non-artistic tendency from an aesthetic point of view, starting from the emotional changes of the characters. In the play, Yang Yuhuan's drinking goes from drinking with his sleeves covered to drinking casually, and Mei Lanfang uses the change of appearance and action to express the psychological change process of this disgraced concubine from being depressed and self-righteous to being unable to control herself and being drunk and out of shape. Heavy dances are very difficult, such as cupping, lying fish, drunken steps, fan dances, etc., which are performed in a natural way, flowing through the lines and rhythms of beauty[1]. It's a pity that although Mei Lanfang had profound skills when filming the Peking Opera movie "The Drunken Concubine", after all, she was over the age of sixteen and had some changes to the difficult movements. Fortunately, there are successors to the Mei School of Art, so that the play is still often performed and new.

Director: Dong Kena #Lee Byung-chung
Starring: Mei Lanfang #Jiang Miaoxiang
Genre: Drama
Country/Region of Production: Chinese mainland
Runtime: 44 minutes