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👹広島神楽「大江山」原田神楽団
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📅2023年5月27日撮影
横田神楽団新生60周年記念神楽
〜久保良雄団長勇退記念〜神楽ドーム〜
①「神降し」②「筑波山」⑤「紅葉狩」横田神楽団
③「塵輪」川北神楽団
④「大江山」原田神楽団

🔳原田神楽団　プロフィール
(はらだかぐらだん)
創立年月は定かではありません。石見神楽阿須那系の神楽が高宮の地に伝わり、時代の移り変わりと共に伝承され、勇壮で変化に富んだ高宮神楽が形成されました。原田神楽団もこの流れの中、最初は地元の有志達が神楽組を結成し、引き継ぎながら世代交代をし、現在に至っており、先人が残した神楽を正しく舞い継ぎ、語り継ぐことを使命として、活動しています。昭和54年には、広島県無形民俗文化財の指定を受けました。
代表者 　塚本　近
(つかもと　ちかし）
秋祭神楽奉納 9月中旬の土曜日
奉納場所 　原田八幡神社
（広島県安芸高田市高宮町原田）
練習場所 　原田神楽団道場
（高宮湯の森隣接）
練習日 　　月・水・金曜日の夜
（大体20：00過ぎ頃から）
広島県の無形文化財指定日 1979年3月26日指定
後　援　会 原田神楽後援会

■演目　神楽「大江山」
平安中期、妖術を使う鬼達が都に舞い降りては悪事の限りを尽くし、京は恐 怖の都と成り果てた頃、都の守源頼光とその四天王に鬼神退治の勅命が下され ました。頼光主従は山伏と身をかえ丹波の国へ向かう途中、三社の使より御神 酒を授かり険しい山道に入ると、都からさらわれた姫と出会い、鬼の岩屋へと 案内させました。そこで頼光と鬼の頭の酒呑童子は問答を繰り返し、酒呑童子 は頼光主従を山伏修験者と認め、差し出された御神酒を飲み尽くし酔い伏す時、 頼光主従は鬼神達を成敗し都へ凱旋します。

■Kagura "Oeyama"
( Synopsis )
A demon called Shutendoji withdrew to Oeyama, a mountain range in Tanba Province, taking many of his men, including Ibaragidoji and Karakumadoji, ith him. From there, they wreaked havoc in Kyoto and the nearby villages and harassed innocent people.
Emperor Ichijo ordered Minamoto no Raiko, well-known for his valor, to attack the demons.
Under this command, Raiko and the famous warriors called the Four Guardians, such as Watanabe no Tsuna and Sakata no Kintoki, disguised themselves as monks and headed for Oeyama.
On their way, they asked a grass mower, Kuriki Matajiro, what was happening in Oeyama.
They also met Momiji-hime, who had been kidnapped from Kyoto by the demons, and asked her to take them to the cave in which Shutendoji dwelled.
Raiko gave poisonous sake to Shutendoji and his men, pretending that it was made from the best grain in Kyoto, and made them drink it. In the end, Raiko defeated Shutendoji.

■Kagura in Hiroshima Prefecture
Kagura is performed in many different ways in various parts of Japan. It is believed that the kagura in Hiroshima developed in the Edo period from Iwami Kagura, which had evolved from Izumo kagura. Izumo kagura is composed of ritual dances, which show the procedures to invite the advent of gods, and Noh dances, which dramatize the admiration of the virtues of gods in order to thank them for having descended from heaven. In the process of evolution, the kagura in this area was also influenced by Yahata kagura and Takachiho kagura in Kyushu and Bitchu kagura in Okayama as well as the old local beliefs of the farmers in the mountainous areas of the Chugoku region. The kagura in Hiroshima is strongly characterized by its dramatization. It has developed into a free and relaxed traditional performing art extremely popular among ordinary people. There are 300 kagura groups in Hiroshima Prefecture. The dancers, who are all amateurs, practice hard to improve their skills. They work or go to school during the daytime, but they play important roles, as volunteers, to preserve kagura. The popularization of kagura has greatly contributed to maintaining people's faith in their shrines and deities and to perpetuating their ancestors' awe and reverence for the threats and blessings of the nature and deities. In the process of dramatization, the kagura in Hiroshima has not lost the archetype of kagura, in which deities and humans come together and enjoy themselves.

■私の写真やタイムラプス動画の購入サイト紹介
　(神楽の写真も有りますよ)
The site for purchasing my photographs and timelapse animations
https://stock.adobe.com/contributor/2...

♪ Music
YouTube Audio Library

#広島神楽 #原田神楽団 #大江山
#kagura #iwamikagura #iwami_kagura #石見神楽
#輪になれ広島 #神楽 #郷土芸能 #伝統芸能 #伝統民俗
#広島 #日本 #japan #shimane #島根観光
#日本遺産 #神楽