The 8 Songs To Blame For Britpop
Автор: Trash Theory
Загружено: 2025-12-12
Просмотров: 85829
For the briefest moment in the 1990s, Britpop ruled the airwaves. Suede sighed out a romantically ambiguous soundtrack for elegant wastrels. Blur and Oasis were vying for number one. And everybody wanted to live like Common People. It was music that delighted in Britain’s pop history, taking the best bits of The Kinks, Jam and Smiths and reshaping them into anthems, the country’s most important guitar-based movement since punk.
But at the same time many of those who weren’t lifted by the rising tide of retroism found it tiresome, unoriginal and encroaching on jingoism. But how did Britpop happen? What were their influences, the vital steps along the way? And how did we get to the point where indie became pop? These are the 8 Songs to Blame For Britpop.
#oasis #britpop #musicdocumentary
Fact-checking by Chad Van Wagner.
00:00 Introduction
00:51 The Kinks
06:07 Mott The Hoople
11:35 The Jam
17:16 XTC
23:38 The Smiths
28:22 The La’s
33:08 Suede
36:29 Blur
40:37 Conclusion
Soundtrack
Luar - Citrine ( / luarbeats )
Luar - Anchor ( / luarbeats )
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In Search For The La’s - A Secret Liverpool by MW Macefield, 2003, Helter Skelter Publishing
The Last Party: Britpop, Blair and the Demise of English Rock by John Harris, 2004, Harper Perennial
Mozipedia: The Encyclopedia of Morrissey and The Smiths by Simon Goddard, 2010, Ebury Press
Uncommon People: Britpop and Beyond in 20 Songs by Miranda Sawyer, 2024, John Murray Press
“Kinks Don't Mind 'Formby Quartet' Tag” Keith Altham, NME, Mar 1966
“Ray Davies: A Study In Frustration” Val Wilmer, Hit Parader, Apr 1968
“God Save the Kinks” Paul Nelson, Circus, Sep 1969
“David Bowie and the rise of glam rock” Martin Walker, The Guardian, Sep 1972
“Beat Godfather Meets Glitter Mainman: William Burroughs Interviews David Bowie” Rolling Stone, Feb 1974
“A Really Special Feeling” Phil McNeill, NME, Apr 1978
“Jam Today” Garry Bushell, Sounds, May 1979
“The Jam: The Revolution Will Start When Paul Weller Has Supped His Pint” Paul Morley, NME, Nov 1979
“XTC: Last Exit To Catalonia” Paul Morley, NME, 20 September 1980
“The Ecstatic Aesthetics Of XTC” John Mendelsohn, Creem, Jul 1981
“XTC: Toys in the Attic” Robert Sandall, Q Magazine, Apr 1989
“Suede The Best New Band In Britain” Steve Sutherland, Melody Maker, Apr 1992
“One Day, Son, All Of This Could Be Yours…” Steve Sutherland, NME, Mar 1993
“Suede - Gentlemen Time, Please!” Stuart Maconie, Select Magazine, Apr 1993
“Blur: We Can Be Eros… Just For One Day” Paul Moody, NME, Mar 1994
“Looking For A New England” Cliff Jones, The Face (May 1994)
“Noel Gallagher: The Greatest Songwriter of the 90s?” Phil Sutcliffe, Q Magazine, Feb 1996
“XTC - 'Til Death Do Us Part” Chris Ingham, Mojo Magazine, Mar 1999
“Paul Weller and Noel Gallagher: Sex, Drugs, Rock'n'roll... and Babies” Barbara Ellen, The Observer, Oct 1999
“David Bowie - Interview” Paul Du Noyer, Mojo Magazine, Jul 2002
“That was the modern world” Adam Sweeting, The Guardian, Apr 2004
“Paul Weller: The MOJO Interview” Phil Sutcliffe, Mojo Magazine, Sep 2004
“Paul Weller: "The Jam? They were a way of life."” John Harris, The Guardian, Feb 2006
“Tales of Ordinary Madness” Mark Paytress, Mojo Magazine, Mar 2006
“The Making Of “The Eton Rifles” by The Jam” Michael Bonner, Uncut, Sep 2006
“Andy discusses Respectable Street” Todd Bernhardt, Chalkhills, Feb 2007
“‘Ello ‘Andsome’” Mat Snow, Mojo Magazine, Mar 2008
“The Daydream Believer” Jon Bennett, Mojo Magazine, Feb 2000
“The Smiths make their Top of the Pops debut” Johnny Marr, The Guardian, Jun 2011
““It’s a very sensual song” – Suede on the making of “The Drowners”” John Robinson, Uncut, Jul 2012
“Suede: 10 of the best”
“The Smiths: 10 of the best” Michael Hann, The Guardian, Jan 2015
“How we made Waterloo Sunset” Dave Simpson, The Guardian, Jan 2016
“XTC’s Andy Partridge on Mocking Hypocrisy With ‘Respectable Street’” Ryan Reed, Spin Magazine, Aug 2024
“The Kinks On The Making Of Waterloo Sunset: “I’m the person staying behind…”” Andrew Male, Mojo Magazine, May 2025
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