SUS OJOS SE CERRARON (C. GARDEL) - Arrangement and Bandoneón solo B. Fingas

SUS OJOS SE CERRARON is part of SOLOS DE BANDONEON vol.II
Get your scores here: https://www.bernardofingas.com/arrang...
Five arrangements especially written for 142 tone bisonoric Bandoneon.
Content: VOLVER, GOLONDRINAS, EL DIA QUE ME QUIERAS, SUS OJOS SE CERRARON, SOLEDAD
5 Arrangements. 18 pages. Available in PDF format.
https://www.bernardofingas.com
[email protected]

Other scorebooks available :
SOLOS DE BANDONEON vol. III - Tangos de Aníbal Troilo - Music Book, EP, videos
Five Arrangements written by B. Fingas for 142 tone bisonoric bandoneon.
Music book (PDF) and EP of five bandoneon solo arrangements, including the most beautiful tangos ever written by the legendary Aníbal Troilo.
Content: SUR, CHE BANDONEON, MARIA, DESENCUENTRO, LA ULTIMA CURDA
https://www.bernardofingas.com

SOLOS DE BANDONEON Vol. IV – Valses Criollos
Five Valses Criollos, arranged for the 142-tone bandoneón.
It is the first collection of solo pieces for bandoneón dedicated exclusively to the Vals Criollo. A tribute to the beauty and versatility of this fascinating Latin American genre, inspired by the waltz cycles of Brahms, Chopin and Ravel.
Contents: PEQUEÑA. TU PÁLIDA VOZ, PEDACITO DE CIELO, DESDE EL ALMA, ABSURDO
5 arrangements, 20 pages, PDF.
https://www.bernardofingas.com
[email protected]


"When I heard the music of Astor Piazzolla in the 90s, living in Germany, I did not suspect that this experience could change my destiny. I traveled to Buenos Aires to study bandoneon. And now it's more than 20 years I have been living here and my bandoneon and the tango tango still share my way." Bernardo Fingas


In mid 1800, Heinrich Band invented the Bandoneón in Germany. The instrument's expressive range and superb colorful timbre, sweet on the left hand and somewhat sharp on the right, making it appropriate for a wide range of musical styles.
Emigrants introduced the instrument to Argentina about 1870, when it was absorbed into the emerging Tango genre. Metal reeds inside the instrument produce sound through the movement of the bellows. As a result, the Bandoneón appears to breathe like a human... a fact that many Tango lyrics allude to.