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Powerful Arti Darshan at Kalighat Mandir, kolkata | कोलकता के कालीघाट मंदिर के दर्शन

Автор: swami vivekananda's words

Загружено: 2020-11-09

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About this video: (Source: Wikipedia)
Powerful Arti Darshan at Kalighat Mandir, kolkata | कोलकता के कालीघाट मंदिर के दर्शन
Kalighat Kali Temple is a Hindu temple in Kalighat, Kolkata, West Bengal, India dedicated to the Hindu goddess Kali. It is one of the 51 Shakti Peethas.

Kalighat was a Ghat sacred to Kali on the old course (Adi Ganga) of the Hooghly river (Bhāgirathi) in the city of Kolkata. The name Calcutta is said to have been derived from the word Kalighat. The river over a period of time has moved away from the temple. The temple is now on the banks of a small canal called Adi Ganga which connects to the Hooghly. The Adi Ganga was the original course of the river Hooghly. Hence the name Adi Ganga.
The Temple at Kalighat is revered as an important Shakti Peetha, by the Shaktism sect of Hinduism. The mythology of Daksha yajna and Sati's self-immolation is the story behind the origin of Shakti Peethas.

Daksha, the son of Brahma was an ancient entity called Prajapati or the keeper of the beings in Hinduism. He had a lot of daughters, one of whom was Sati, an incarnation of the Primordial Mother Goddess or Shakti. She was married to Shiva, the ascetic, whose abode was in the cold and snowy recesses of the Kailasa Parvat. Daksha had frowned upon the marriage, as Shiva was a penniless man, quite unlike the King that Daksha was. In time, Daksha decided that he would arrange a yajna or a ritual where he would invite all the gods, except for Shiva. Sati, his daughter came to her father's place, uninvited and faced a flurry of insults from her father about her husband. Unable to bear the insults, she immolated herself. The news of the death of his beloved wife set Shiva on a delirious rage, as he started the Tandav or the Dance of Destruction with the body of Sati, calming down, only when Vishnu managed to chop her body down into fifty one-pieces, which would fall all over the length and breadth of India. (A lot of these places are in modern-day Pakistan and Bangladesh as well.)

Shakti Peethas or divine seats of Shakti or the Primordial Mother Goddess, thus came into being wherever these severed parts of Sati's body had fallen.

Each of the 51 Peethas has a temple dedicated to the Shakti or the Primordial Mother, and a temple dedicated to the Bhairava or Shiva, the All-Father, essentially forming important historical centers to mark the marriage of Shaivism and Shaktism, and also the philosophical fact that a man is nothing without his Shakti or Woman and vice versa.

The Shakti here is thus Dakshina Kali (the benevolent Mother of the World) while the Bhairav being Nakulish or Nakuleshwar.

It is believed that the right big toe of Sati fell here at Kalighat. However, some Puranas also mention that the Mukha Khanda (face) of the Goddess fell here, got fossilized, and is stored and worshipped here.

The 51 Shakti Peethas are linked to the 51 alphabets in Sanskrit, each carrying the power to invoke one of the goddesses associated with them. These Alphabets are called Beeja Mantras or the seeds of the primordial sounds of creation. The Beeja Mantra for Dakshina Kali is Krīm.

The mythological texts which include the Kalika Purana (Ashtashakti,) recognize the four major Shakti Peethas—Bimala where resides the Pada Khanda (feet) (the temple is inside the Jagannath Temple, Puri, Odisha), Tara Tarini housing the Stana Khanda (Breasts), (near Brahmapur, Odisha), Kamakshya, Yoni khanda (vagina) (near Guwahati, Assam) and Dakshina Kalika, Mukha khanda (in Kolkata, West Bengal) originated from the lifeless body of the goddess Sati.

This is illustrated in a hymn from the Kalika Purana (Ashtashakti):

“Vimala Pada khandancha,
Stana khandancha Tarini (Tara Tarini),
Kamakhya Yoni khandancha,
Mukha khandancha Kalika (Kali)
Anga pratyanga sangena
Vishnu Chakra Kshate nacha……”

Further explaining the importance of these four Peethas the Brihat Samhita gives the geographical location of these Peethas. For example:

“Rushikulya Tate Devi,
Tarakashya Mahagiri,
Tashya Srunge Stitha Tara,
Vasishta Rajitapara"

Thus, there is no dispute regarding these four Adi Shakti Peethas and their locations. These four Peethas are also believed as the most powerful Shakti Peethas in Bharata Varsha. However, all these Four Adi Shakti Peethas are also part of 51 Shakti Peethas but there are four major parts of Devi Sati's body So, they are important, powerful, and believed as Adi Shakti Peethas.

#Kalighat
#kalighatmandir
#ShaktiPeeth
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Powerful Arti Darshan at Kalighat Mandir, kolkata | कोलकता के कालीघाट मंदिर के दर्शन

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