Ignaz Moscheles - Piano concerto no.5 in C, op.87 (1830): 2. Adagio non troppo
Автор: Ben van Geest
Загружено: 2024-09-16
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Ignaz Moscheles - Piano concerto no.5 in C, op.87 (1830): 2. Adagio non troppo. Performed by Howard Shelley (piano), with the Tasmanian symphony orchestra, conducted by Howard Shelley. Recorded 2004 in Australia. Romantic piano concerto CD 36. Record label: Hyperion.
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From Wikipedia:
Isaac Ignaz Moscheles (23 May 1794 – 10 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano at the Conservatory.
After his Viennese period there followed for Moscheles a sensational series of European concert tours – it was after hearing Moscheles play at Carlsbad that the boy Robert Schumann was fired to become a piano virtuoso himself. But Moscheles found an especially warm welcome in London, where in 1822 he was awarded an honorary membership of the London Academy of Music (later to become the Royal Academy of Music). At the end of the year he wrote in his diary, "I feel more and more at home in England", and he had no hesitation in settling there after his marriage. Moscheles visited most of the great capitals of Europe, making his first appearance in London in 1822, and there securing the friendship of Muzio Clementi and Johann Baptist Cramer. Moscheles was also a student of Muzio Clementi.
Among his 142 opus numbers, Moscheles wrote a number of symphonic works. Apart from an overture, a ballet and a symphony, all are scored for piano and orchestra: eight piano concertos (of which the last is in fragmentary form only, no orchestral parts having survived) and sets of variations and fantasias on folk songs. The main theme of the finale of his fourth piano concerto is based on the tune "The British Grenadiers". Moscheles also left several chamber works (including a piano trio that has been recorded), and a large number of works for piano solo, including sonatas and the études that continued to be studied by advanced students even as Moscheles's music fell into eclipse. There are also some song settings.
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