Aadmi (1968) - Full Hindi Movie | Dilip Kumar | Waheeda Rehman | Manoj Kumar | Pran | Classic Film

Aadmi is a 1968 Indian Hindi drama film starring Dilip Kumar, Waheeda Rehman, Manoj Kumar, Simi Garewal and Pran. The Fil is produced by P. S. Veerappa and directed by A. Bhimsingh. The film's music is by Naushad. The film is a remake of the Tamil film Aalayamani. Besides being noted for Dilip Kumar's acting as a man in a wheelchair, the film is also known for its dialogues by Akhtar ul Iman and trick cinematography work by Faredoon A. Irani. It was a commercial success at the box office.

Synopsis:

The plot revolves around Rajesh, an orphan who comes from a wealthy and noble family. As a child, he falls in love with a girl named Meena, but tragically, she dies, and Rajesh substitutes her with a doll. Years later, Rajesh, still haunted by his past, falls in love with another woman named Meena and plans to marry her. However, his obsession with his childhood sweetheart leads to a series of dramatic events.

The story explores themes of love, obsession, and the impact of past traumas on one's present life. It's a gripping drama with strong performances by the cast.

Cast:

Dilip Kumar as Rajesh / Raja Sahib
Waheeda Rehman as Meena
Manoj Kumar as Dr. Shekhar
Simi Garewal as Dr. Aarti
Pran as Mayadas
Agha as Prem
Mohan Choti as Hari
Shivraj as Girdharilal
Ulhas as Govind
Padma Chavan as Parvati
Sulochana Latkar as Shekhar's Mother

Movie: Aadmi (1968)
Music: Naushad
Director: A. Bhimsingh
Producer: P. S. Veerappa

Popular Songs From Movie Aadmi (1968) :-

"Aaj Purani Rahon Se Koi" - Mohammed Rafi
"Na Aadmi Ka Koi Bharosa" - Mohammed Rafi
"Main Tooti Hui Ek Naiya Hoon" - Mohammed Rafi
"Kaisi Haseen Aaj Baharon Ki Raat Hai" - Mohammed Rafi, Mahendra Kapoor
"Kal Ke Sapne Aaj Bhi Aana" - Lata Mangeshkar
"Kari Badariya Mare Nazariya" Lata Mangeshkar

Lesser Known Facts About Movie Aadmi (1968) :-

Dilip Kumar's Dual Role: Although Dilip Kumar had played emotionally intense roles before, Aadmi was unique as it featured him in a complex role where he plays a crippled man named Rajesh, struggling with both physical and psychological trauma. His portrayal of this character was highly appreciated for its depth.

Inspiration from a French Play: Aadmi was reportedly inspired by the French play A Man About Town, which was adapted into the Hindi film format. The play's themes of obsession, love, and inner turmoil were translated into Indian cinematic language by director A. Bhimsingh.

Waheeda Rehman’s Remarkable Performance: Waheeda Rehman, playing the role of Meena, stood out for her nuanced performance, depicting a woman caught between love and duty. Her chemistry with both Dilip Kumar and Manoj Kumar added to the film's emotional complexity.

Manoj Kumar’s Supporting Role: Although Manoj Kumar was already a rising star by the time Aadmi was released, he took on the role of Shekhar, a close friend to Rajesh. Despite having a supporting role, his presence brought balance to the love triangle central to the film.

Dilip Kumar’s Method Acting: True to his reputation as a method actor, Dilip Kumar immersed himself in the role, particularly in scenes where he portrayed his character’s psychological struggles. He reportedly isolated himself from the cast during intense scenes to maintain his emotional focus.

Memorable Music by Naushad: The film's music was composed by Naushad, one of the most legendary music directors in Hindi cinema. The songs "Kaun Hai Jo Sapno Mein Aaya" and "Aaj Purani Raahon Se" became evergreen hits. Naushad’s musical compositions blended classical and modern tunes, enhancing the emotional depth of the movie.

Climactic Accident Scene: The film's climax features a dramatic accident scene, which was considered groundbreaking for its time. Dilip Kumar’s character undergoes a significant transformation after this event, and it was a high point in terms of storytelling and execution.

Themes of Morality and Ethics: Aadmi dealt with heavy themes such as ethics, morality, and the consequences of human desires. The film explored the idea of how unfulfilled desires can lead to obsession and emotional breakdown, a theme that was ahead of its time in Hindi cinema.

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