What is a Director’s Viewfinder — And Should You Use One?

Director Viewfinder — We take a look at that thing that hangs around directors' necks.

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Chapters:
00:00 - Introduction to the Director's Viewfinder
00:38 - History of the Viewfinder
01:50 - Chapter 1: Types Of Viewfinders
04:05 - Chapter 2: Why Use A Viewfinder?
06:09 - Chapter 3: How To Use A Viewfinder
06:15 - Takeaways

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DIRECTORS VIEWFINDER

You may not have heard of a director's viewfinder, but if you've been on set or looked at BTS footage, you've likely seen one. True to its name, the director's viewfinder is a handy tool for the leader of a film set. In this video, we take a look at the nifty piece of equipment, and explain why you may want to consider having one the next time you shoot.

LENS FINDER VS. VIEWFINDER

There are several types of director’s viewfinders in use today, each suited to different needs and preferences. The most traditional type is the optical viewfinder, a small handheld device that simulates various focal lengths and aspect ratios. These are quick to use and lightweight.

More advanced lens finders allow filmmakers to mount actual lenses onto the device. This provides a highly accurate representation of how a particular lens will behave, including depth of field and focus falloff. They may be bulkier, but they are also favored for their precision. In recent years, digital tools have entered the scene as well. Smartphone apps like Artemis Pro have transformed mobile devices into powerful digital viewfinders.

WHY USE A DIRECTOR VIEWFINDER

The value of a viewfinder extends far beyond convenience. Its primary use is enabling directors to plan shots before the camera is in place. By pre-visualizing compositions, filmmakers can decide on lens choices, block actors, and determine where the camera should move, all without needing to reposition the actual gear. They allow the director and cinematographer to test perspectives, assess background elements, and anticipate lighting challenges.

HOW TO USE A DIRECTOR'S VIEWFINDER

Using a viewfinder is relatively straightforward. The filmmaker must first set the appropriate aspect ratio and sensor size to match the intended camera setup. Then, by cycling through different focal lengths or attaching real lenses, they can explore how each one frames the subject.


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