My FILM EMULATION Process | How Does it Compare to Filmbox?

A video breaking down my film emulation process to achieve cinematic colours. I go into detail through each node of my powergrade, briefly discussing every part of the node tree and how you can recreate a similar film emulation process yourself. I then compare my film emulation process to one of my favourite film emulations I've seen, Filmbox by Video Village, to see how they compare and the differences between each method.

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00:00 - Intro and Video Overview
01:57 - I'd love your help testing it
02:50 - New Lens - Tokina Cine 11-16 T3
03:27 - Disclaimer for Video
03:49 - Powergrade Quick Overview
05:21 - Film Ratio DCTL
05:21 - Marker 1
06:29 - Beginning of Detailed Node by Node Breakdown
06:39 - Convert camera into DaVinci Wide Gamut Intermediate (DWG)
07:50 - Convert DWG into Rec709
07:50 - Marker 1
08:51 - Camera Exposure using HDR
09:54 - All Lens Effects
10:16 - Halation
11:37 - Film Grain
12:01 - Film Effects - Gate Weave + Film Damage
12:35 - Vignette
12:46 - Basic Exposure and Contrast Ratios
13:09 - Image White Balance | Printer Lights
13:37 - Magic | Main Color Grading Look LUT
13:52 - Blue and Yellow Shadows and Highlights | Split Toning
14:29 - Film Fade
14:50 - Film Curve | Main Film S Curve
15:01 - Film Look | HSL and Other Things
15:40 - Color Density Using Cullen Kelly HSV Trick
15:58 - Control Black and White Clipping Points
17:14 - Color Head
17:49 - Output Saturation Control
18:12 - Comparing to Filmbox | Shot 1
21:11 - Comparing to Filmbox | Shot 2
23:02 - Comparing to Filmbox | Shot 3
25:45 - Comparing to Filmbox | Shot 4
27:18 - Comparing to Filmbox | Shot 5

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