Why Apple produced shows keep landing on Sony cameras

#appletv #severancetvshow #f1 #sonyvenice #sony #apple

Apple TV+ doesn’t own a camera division, so its in-house production arm behaves like any other major studio: it rents the tool that best matches the creative brief, the DP’s taste, the post-workflow, and the budget.
Over the last five years Sony’s top-end cinema line (VENICE, VENICE 2, FX9/FX6, Burano) has hit a sweet spot for exactly the kinds of shows Apple is green-lighting: But why?

Severance Footage:    • Behind the Mac: Editing Severance | Apple  
F1 footage:    • F1 Film | Behind the Scenes Feature  
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Table of Contents:

0:00 - What is going on with Apple & Sony

0:53 - How studios choose camera systems

2:30 - Why the Sony Cine line fits

5:16 - But Sony color sucks right?

11:00 - Win Win Situation

13:12 - What you should actually focus on