Tomaso Albinoni | The Baroque Music Master

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Concerto for Strings in D Major, Op. 7, No. 1 I. Allegro
Concerto for Strings in D Major, Op. 7, No. 1 II. Adagio
Concerto for Strings in D Major, Op. 7, No. 1 III. Allegro
Concerto for 2 Oboes in C Major, Op. 7, No. 2 I. Allegro
Concerto for 2 Oboes in C Major, Op. 7, No. 2 II. Adagio
Concerto for 2 Oboes in C Major, Op. 7, No. 2 III. Allegro
Oboe Concerto in B-Flat Major, Op. 7, No. 3 I. Allegro
Oboe Concerto in B-Flat Major, Op. 7, No. 3 II. Adagio
Oboe Concerto in B-Flat Major, Op. 7, No. 3 III. Allegro
Concerto for Strings in G Major, Op. 7, No. 4 I. Allegro -
Concerto for Strings in G Major, Op. 7, No. 4 II. Adagio -
Concerto for Strings in G Major, Op. 7, No. 4 III. Allegro
Concerto for 2 Oboes in C Major, Op. 7, No. 5 I. Allegro -
Concerto for 2 Oboes in C Major, Op. 7, No. 5 II. Adagio -
Concerto for 2 Oboes in C Major, Op. 7, No. 5 III. Allegro
Oboe Concerto in D Major, Op. 7, No. 6 I. Allegro
Oboe Concerto in D Major, Op. 7, No. 6 II. Adagio
Oboe Concerto in D Major, Op. 7, No. 6 III. Allegro
Oboe Concerto in G Major I. Allegro
Oboe Concerto in G Major II. Adagio
Oboe Concerto in G Major III. Allegro
Oboe Concerto in G Minor I. Allegro
Oboe Concerto in G Minor II. Adagio e pizzicato
Oboe Concerto in G Minor III. Vivace
Oboe Concerto in G Major (for TC670103 tracks 25-27) I. Adagio - Allegro
Oboe Concerto in G Major (for TC670103 tracks 25-27) II. Largo
Oboe Concerto in G Major (for TC670103 tracks 25-27) III. Vivace
Concerto a 5 in B-Flat Major, Op. 5, No. 1 I. Allegro
Concerto a 5 in B-Flat Major, Op. 5, No. 1 II. Adagio
Concerto a 5 in B-Flat Major, Op. 5, No. 1 III. Allegro
Concerto a 5 in F Major, Op. 5, No. 2 I. Allegro
Concerto a 5 in F Major, Op. 5, No. 2 II. Largo
Concerto a 5 in F Major, Op. 5, No. 2 III. Allegro assai
Concerto a 5 in D Major, Op. 5, No. 3 I. Allegro
Concerto a 5 in D Major, Op. 5, No. 3 II. Adagio - Presto - Adagio
Concerto a 5 in D Major, Op. 5, No. 3 III. Allegro
Concerto a 5 in G Major, Op. 5, No. 4 I. Allegro
Concerto a 5 in G Major, Op. 5, No. 4 II. Adagio
Concerto a 5 in G Major, Op. 5, No. 4 III. Allegro
Concerto a 5 in A Minor, Op. 5, No. 5 I. Allegro
Concerto a 5 in A Minor, Op. 5, No. 5 II. Adagio
Concerto a 5 in A Minor, Op. 5, No. 5 III. Allegro
Concerto a 5 in C Major, Op. 5, No. 6 I. Allegro
Concerto a 5 in C Major, Op. 5, No. 6 II. Adagio - Presto - Adagio
Concerto a 5 in C Major, Op. 5, No. 6 III. Allegro

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Tomaso Giovanni Albinoni was born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant, he studied violin and singing. Relatively little is known about his life, which is surprising, considering his contemporary stature as a composer and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII). His first opera,  Zenobia, regina de Palmireni, was produced in Venice in 1694. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Ferdinando de' Medici, Grand Prince of Tuscany.In 1705, he married Margherita Rimondi; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer in many cities in Italy, including Venice, Genoa, Bologna, Mantua, Udine, Piacenza, and Naples. During this time, he was also composing instrumental music in abundance: prior to 1705, he mostly wrote trio sonatas and violin concertos, but between then and 1719 he wrote solo sonatas and concertos for oboe. Unlike most contemporary composers, he appears never to have sought a post at either a church or noble court, but then he had independent means and could afford to compose music independently. In 1722, Maximilian II Emanuel, Elector of Bavaria, to whom Albinoni had dedicated a set of twelve concertos, invited him to direct two of his operas in Munich.Around 1740, a collection of Albinoni's violin sonatas was published in France as a posthumous work, and scholars long presumed that meant that Albinoni had died by that time. However, it appears he lived on in Venice in obscurity; a record from the parish of San Barnaba indicates Tomaso Albinoni died in Venice in 1751, of diabetes mellitus.
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