Strymon TimeLine: How to Be Advanced

5 ways to push the TimeLine so it doesn't sound like a delay pedal anymore. Transform it into a chorus, ring modulator, harmonizer, "synth" engine, and a Digitech whammy-style effect. Settings below.

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CHORUS
Type: dBucket
Time: 60ms (1k BPM)
Repeats: 60%
Mix: 75%
Filter: 33%
Grit: 0%
Speed: 50% (or 75%)
Depth: 75%
Range: Single
Tap: Quarter

RING MOD:
Type: Filter
Time: 60ms (1k BPM)
Repeats: 0%
Mix: 100%
Filter: 0%
Grit: 0%
Speed: 0%
Depth: 0%
LFO: +Square
Filter Speed: 7/1
Filter Depth: 100%
Filter Q: 1.2
Location: Pre
Tap: Quarter

HARMONIZER
Type: Ice
Time: 60ms (1k BPM)
Repeats: 0%
Mix: 50%
Filter: 40%
Grit: 0%
Speed: 0%
Depth: 0%
Interval: +P5
Slice: Long
Blend: 60%
Tap: Quarter

“SYNTH”
Type: Ice
Time: 60ms (1k BPM)
Repeats: 0%
Mix: 100%
Filter: 40%
Grit: 0%
Speed: 0%
Depth: 0%
Interval: +Octave
Slice: Long
Blend: 100%
Tap: Quarter

DIGITECH WHAMMY EFFECT/PEDAL STEEL
(Requires an expression pedal)
Type: Lo-Fi
Time: 2ms–200ms (use the expression pedal to sweep between these values)
Repeats: 40%
Mix: 100% (75% is also cool)
Filter: 50%
Grit: 0%
Speed: 0%
Depth: 25%
Sample: 96kHz
Bit Depth: 32
Mix: 0%
Vinyl: Off
Filter: Off
Tap: Quarter