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This iteration began with a painting that was a geographic reinterpretation of a chosen frame from the proceding film.

This body of work begins not with repetition but with selection. It is process driven. Each preceding film, a single frame is isolated, not the same frame each time but one identified through a meticulous frame-by-frame examination for its compositional potential.

This still image becomes the starting point for a new cycle of transformation. What follows is a process of digital or physical reworking and recontextualisation.

The selected frame could evolve into a painting, digital composition or a new film; each form will then inform the next. The approach is recursive and deliberate, with composition revealed through acts of addition, subtraction, collapse and reconstruction.

Sound plays an integral role in this evolving structure. Each film is accompanied by a new musical composition by Skin Vehicles, created in direct response to the visual work. The score is not an accompaniment but a dialogue, shaped by the film’s pacing, rhythm and internal logic.

The result is not predetermined; it is discovered through a sustained process of enquiry, with each iteration marking a moment within an ongoing continuum of image, sound and transformation. Something new from something old. Re-used, renewable art.