From a Distance／藤田恵美 ( Emi Fujita )『Headphone Concert 2021』より

#FromADistance#NanciGriffith#藤田恵美
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オリジナル：Nanci Griffith
作詞＆作曲：GOLD JULIE R

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『コンサートのようなレコーディング。レコーディングのようなコンサート。
この日会場にいる全員が前例のない体験をした！ ?』

コンサートをスタジオ録音と同等の音質で録音してみたい、
というレコーディング・エンジニアの阿部哲也氏からの発案により
行われた「ヘッドフォンコンサート」のもようです。

コンサートとレコーディング。
同じ土俵で比較できないそれぞれの良さを、
どこまで近づけて成立させられるのか？
藤田恵美「Headphone Concert 2021」は
前例のない「実験的な試み」であり
そこから生まれた、稀な作品でもあります。

関連記事
https://www.cdjournal.com/main/specia...

藤田恵美(Vocal)
宇戸トシヒデ(Pf, Accordion, Whistle, Cho) /
西海孝(Ag, Cho) / 武川雅寛(Vln, Tp) /
河合徹三(Bass) / 朝倉真司(Perc)

Emi Fujita "Headphone Concert 2021"

"A recording like a concert. A concert like a recording."
It was an unprecedented experience for everyone in the hall that day!

Recording engineer Tetsuya Abe’s long-standing desire to record a concert with the same sound quality as a studio recording gave birth to the idea for the Headphone Concert.

This magical, unprecedented “recording like a concert, concert like a recording" took place during four performances at Yokohama’s Sunheart Hall on February 18 and 19, 2021, before a select audience of forty persons per show.

In order to record the raw vocals and instruments directly into the recording studio mics and equipment, no speakers or other usual concert sound devices were used. Instead, the audience listened to the high-resolution sound through headphones, just like the performers. As a result, they were able to sense delicate sounds, including breathing techniques, that can’t be heard in a normal concert.

Simultaneously, the vivacity and positive tension of a live performance could also be captured with the same quality as a recording studio.

A concert and a recording. While it is impossible to measure the good qualities of each by the same standard, how close can one come to achieving the best of both worlds? In some ways this was an attempt to find out, and the result is a rare work of art.

藤田恵美（Emi Fujita）Official Web＆SNS

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