Live Sound Design with Zebra 3: Early Days Explorations

This week we’re diving into Zebra 3 from U-He, exploring why it remains one of the most deep and flexible software synthesizers available today. Rather than a feature checklist, this episode is about discovery, approach and what it feels like to work inside a truly modular synth environment.

We’ll talk through Zebra 3’s oscillators, spectral shaping, modulation system and sound design philosophy, focusing on how its design encourages intentional exploration rather than preset hopping. From subtle movement and organic textures to complex evolving sounds, Zebra 3 rewards time spent listening and experimenting.

Along the way we reflect on what makes a synth feel inspiring in long term use, how depth can coexist with clarity, and why tools like Zebra 3 continue to resonate with sound designers and musicians years after their release.

If you enjoy slower, more thoughtful discussions about synthesis and creative process, this one’s for you.

Thanks to our Patrons who support what we do:
Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen Setzepfandt
Lars Haur - Audionaut Producer
Jonathan Goode - Audionaut Producer

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