How to Use Reverb in Your Sound Design Tutorial with Matt Yocum

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Understand the different types of reverb and how to best utilize each in order to enrich the sound design and mix of your projects.

While this video focuses specifically on audio post production for film, the concepts covered are relevant and useful for all sound artists.

Outline:
[00:00] Intro
[02:48] Different Types of Reverb
[03:30] Algorithmic/Linear Reverbs
[06:10] Convolution Reverbs
[07:31] Basics of Recording Impulse Responses
[10:14] Use Cases
[14:18] Example Scene
[16:25] Template Setup
[27:06] Reverb Panning
[36:31] Exterior Reverb Example
[42:09] Reverb Volume
[43:11] Interior Reverb Example
[47:19] Music Reverb Example
[52:28] Final Thoughts

A film's soundtrack would not be successful without the use of reverb. This is because reverb is a natural occurrence which we experience everyday, and its absence would be noticed right away. Reverb helps ground and blend the sound elements of a film by “putting them in the space” and setting of cinematic scenes. There are dozens of reverb's on market today; plate, spring, digital/algorithmic reverbs, linear reverbs, non-linear reverbs, and convolution reverbs, but how do they really work?

Sound artist Matt Yocum (Pet Sematary, The Cloverfield Paradox) focuses on the two main types of reverb that we often hear and use in post workflows: Algorithmic and Convolution Reverbs, and guides us through examples and the best uses to help augment our mixes.

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Note: Please excuse the "Searching for signal" messages that appear occasionally after the 42-minute mark. We're are always improving 🙂 Thanks for watching!