Roots Reggae (1976) [Unreleased Album] Sister Shilah - Temple of the Lioness Vol. 2

Recorded in 1976 but never officially released, Temple of the Lioness Vol. 2 captures Sister Shilah in her rawest, most spiritual form. Blending Nyabinghi rhythms with deep roots reggae, the album delivers powerful messages of feminine strength, faith, and liberation. Shelved for decades due to its bold themes, the project became a whispered legend in sound system circles. Now resurfaced, it stands as a timeless voice of rebel praise and divine prophecy.

Tracks like “Covenant Fire”, “Selassie’s Throne”, and “Daughters of the Drum” showcase Shilah’s fearless voice, declaring the rise of the Lioness as both warrior and healer. Though scheduled for release under the small imprint Mount Zion Soundworks, the album was shelved due to internal disputes and concerns over its “radical tone.”


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📜 Beief History
In the early 1970s, during the rise of roots reggae, Shilah found herself deeply moved by the messages of Rastafari and black liberation. Inspired by artists like Burning Spear and Judy Mowatt, she began blending gospel themes with heavy reggae riddims—what she would later call “rebel praise.”

Her breakout hit, “Zion Train Woman,” released in 1976, became an anthem for spiritual seekers and freedom fighters alike. Wearing flowing robes, with dreadlocks wrapped in vibrant headscarves, she was more than a singer—she was a prophetess with a mic.

In the late ‘80s, Sister Shilah turned to preaching full-time, founding the House of Roots Revival in St. Ann’s Bay. But she never stopped making music. Her later albums, like “Psalms of the Dread” and “Lioness in the Wilderness,” carried messages of faith, justice, and African pride.

Today, Sister Shilah is remembered not only as a reggae legend but as a spiritual matriarch—proof that the mic and the pulpit can both carry the word of Jah.

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