How to Mic an Acoustic Guitar (So It Actually Sounds Good)

In this video we’re breaking down how to mic an acoustic guitar in a way that actually makes mixing easier later. Acoustic guitar is an amazing instrument, but it can turn into a harmonically-rich mess fast, so mic placement matters more than people think.

We walk through 3–4 practical mic positions you can try right now, plus a few different mic types (from budget-friendly to higher-end) so you can get the sound you need at the source.

Big shout out to Nick Maori of Lilac War for playing while we move mics around and compare tones.

What you’ll learn:

The 12th fret starting point (and how far back to place the mic)
Why the sound hole gets darker and boomier
The “body / lower quadrant” placement for mellow rhythm tones
The “over the shoulder” placement for the most natural listening perspective
Large diaphragm vs small diaphragm condensers on acoustic
When to try a stereo pair (XY) for bigger acoustic recordings
How an SM57 can still work on acoustic (especially with EQ and a Cloudlifter)
Why there’s no single “correct” placement, only what serves the song

Microphones mentioned:

Audio-Technica AT4033A (large diaphragm condenser)
Beyerdynamic MC930 (small diaphragm condenser)
Shure SM57 (dynamic)
Ear Trumpet Labs Delfina

Quick starting tips:

• Start about 1 foot back from the guitar, then adjust
• Move toward the sound hole for more low end
• Move toward the 12th fret for a cleaner, brighter tone
• Try over-the-shoulder for a natural “player perspective”
• Experiment. The best placement is the one that fits your song.

If you found this helpful, like, subscribe, and drop a comment with what you’re recording right now (and what mic you’re using).