"In Defence of Arrangements": Alan Walker Library of Congress Lecture November 9 2013
Автор: Alan Walker
Загружено: 2018-01-22
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Franz Liszt occupies a central place in the field of musical arrangement. He was the first to introduce the terms "Transcription", "Paraphrase", and "Réminiscence" into the literature, and more than half his 800 works for solo piano fall into one or another of these sharply-defined categories. With the rise of musicology, and an insistence on Urtexts, it became commonplace to regard arrangements as second-class music; but today all that has changed. Alan Walker points to the central role that Liszt's arrangements played in bringing the music of Mozart, Beethoven, Verdi and Wagner to a wider audience.
Among the musical arrangements he discusses are:
Liszt: Liebestraum no. 3
Beethoven-Liszt: Symphony no. 5 in C minor
Mozart-Liszt: Vision à la Chapelle Sixtine
Verdi-Liszt: "Rigoletto" paraphrase
Wagner-Liszt: "Spinning song", from The Flying Dutchman
Wagner-Liszt: "Liebestod", from Tristan and Isolde
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