省城遺音在香港：瞽師杜煥與銀嬌師娘的南音、板眼與粵謳｜節目重溫（精華片段）

「餘音裊裊——南音的傳承與創新」系列活動
省城遺音在香港：瞽師杜煥與銀嬌師娘的南音、板眼與粵謳

在香港曾經或仍然傳唱的南音、板眼與粵謳，不少都帶有省城的印記。畢竟，這些粵語歌謠原來就出自廣州。本講座以瞽師杜煥唱過的板眼《兩老契嗌交》、銀嬌師娘用粵謳形式演繹的《青蘭附薦》為例，兼及其他例子，如家傳戶曉的《客途秋恨》和《何惠群嘆五更》，還有以發生在宣統元年正月的廣州大沙頭火災為題的各式唱詞，談談省城印記如何遺落香江，而在晚清的新作中，香港又以甚麼形象出現。

嘉賓講者: 程美寶教授（香港城市大學中文及歷史學系教授暨系主任、人文社會科學院副院長）

節目內容並不代表博物館立場。

‘Lingering Echoes - Heritage and Innovation of Nanyin’ Activity Series
Canton Music Legacy in Hong Kong: Nanyin, Banyan and Yueou by Blind Musicians Dou Wun and Lee Ngan-kiu

Many of the nanyin, banyan and yueou songs performed in both historical and contemporary Hong Kong originated from Canton (Guangzhou). This talk will explore how the imprint of Guangzhou has manifested in Hong Kong’s musical landscape and how the city is depicted in works from the late Qing dynasty, referencing the banyan song “The Paramours' Squabble” performed by gushi (male blind musician) Dou Wun, “Offerings by Qinglan” delivered in the yueou style by shiniang (female blind musician) Lee Ngan-kiu and other notable pieces, such as “Song of the Exile” and “Ho Wai Kwan Laments from the First till the Fifth Watch of Night”, and lyrics that recount the fire in Dashatou, Guangzhou, which occurred in the first lunar month of the first year of Qing Emperor Xuantong’s reign.

Speaker: Professor Ching May-bo (Associate Dean of the College of Liberal Arts and Social Sciences, Head and Professor of the Department of Chinese and History, the City University of Hong Kong)

The Museum makes no representations on the content of the programme.

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