Teental 120 BPM | Scale C | Tabla With Tanpura For Riyaz

Teental Loop 120 BPM | Scale C | Real Tabla Sound With Tanpura

Teentaal (alternatively spelled tintal, teental, or tintaal, and also called trital; Hindi: तीन ताल) is the most common taal of Hindustani music, and is used for drut (fast tempo). It is symmetrical and presents a very simple rhythmic structure against which a performance can be laid. It is of 16 beats with 4/4/4/4/ pattern and 4 divisions.There are 3 claps(tali) and 1 gap(khali).

Teentaal has sixteen (16) beats[1] in four equal divisions (Vibhag). The period between every two beats is equal. The first beat out of 16 beats is called sam and the 9th beat is called khali ('empty'). To count the Teentaal, the audience claps on the first beat, claps on the 5th beat, then waves on the 9th beat and lastly again claps on the 13th beat; these three claps (Hindi teen 'three' + taal 'clap') give the rhythm its name.

Teentaal can be used for both accompaniment and solo. There are various Kaidas and Parans based on it. Teentaal is the most widely used taal. Teentaal is mostly used in the drut laya and Zhalas.

Theka:

DHA DHIN DHIN DHA |

DHA DHIN DHIN DHA |

NA TIN TIN TA |

TETE DHIN DHIN DHA |

Teentaal, also spelled tintal or trital, is a 16-beat cycle that is the most common and widely used taal (rhythmic cycle) in Hindustani music, particularly for fast tempos (drut).

Here's a breakdown of Teentaal:
Structure: It's divided into four sections of four beats each (4+4+4+4).
Matras: The total number of beats in the cycle is 16.
Vibhaag: There are 4 sections or vibhaags.
Taali: The first beat (1) and the fifth beat (5) are the main beats, and the thirteenth beat (13) is also a significant beat.
Khaali: The ninth beat (9) is the empty beat.
Uses: It's used in solo tabla compositions, accompanying songs, and even in the Kathak dance form.
Laya: It can be played in all tempos, from slow (vilambit) to very fast (atidrut).

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