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Melodies of the Upper Worlds - Part 2

Автор: Kabbalahinfo

Загружено: 2016-08-10

Просмотров: 7466

Описание:

https://bit.ly/mu-KabU-Kabbalah
When a person starts perceiving the higher reality, he enters a different dimension and reveals the entire world: a clear picture of the forces that activate the entire system; the souls unattached to the body and to the present, past, and future.

Besides books that can guide us on how to attain spirituality, Kabbalists write songs and melodies to express the sensation of the upper world that cannot be put into words but can be passed from heart to heart. This is how melodies enter the heart and adjust it to the perception of the higher levels of reality. Therefore, for the person, the sound is the most concise and precise way to experience something spiritual and complete.

The melodies collected in this video are a valuable gift from the greatest Kabbalist of the 20th century, Rav Yehuda Leib Ha-Levi Ashlag (Baal Hasulam). Listening to the melodies (Nigunim) that he passed down to us, we can gain an impression of the true perception and sensation of reality, since these melodies are the means for entering the upper world.

00:00 An Intro

1:05 Lamenatzeach Al-Shoshanim (To the Leader Upon Roses)

Lamenatzeach Al-Shoshanim is a song of the “victor.” “As a Rose Among Thorns” means that through many “thorns,” discernment, and clarifications one must reach the quality of love and bestowal and become like the Creator. When one does that, he is called the “victor,” and Lamenatzeach Al-Shoshanim is his song of love.

8:43 Krivu Li (Draw Closer to Me)

Krivu Li is the call from the Creator to a person to draw closer to Him. It comes in two main forms: awakening and its opposite, a feeling of rejection from the goal. Working in both lead to advancement. As far as a person feels that he is in motion, he’s progressing in two lines. Regardless of the sensations, in any given situation, a person should feel that the Creator brings him closer.

12:18 Chamol Al Maaseicha (Have Compassion on Your Creation)

Chamol Al Maaseicha is a song of forgiveness and pardon.For those who are on their way from this world to the world of Ein Sof, on the one hand, there is the Creator who arranges everything, on the other hand, all the process depends on the created being. When a person reaches a state where these two conditions become one, he obtains a real prayer composed of two opposing discernments. With this prayer, a person turns to the Creator with just one request: to test him and see if he is on the right path.

17:26 I'yale Tachnuneinu (Raise Our Pleas)

I’yale Tachnumeinu symbolizes “the prayer of the many.“ When the person discovers that he consists of different forces that are not in the adhesion with the Creator, he starts clarifying them one by one until he raises a request to the Creator to come and correct these opposing forces inside of him and unite them in one desire and intention above all differences, so they lead him to his source. As we raise a request for correction, from above we receive the light that reforms.

21:28 Isader Le-Seudata (I shall arrange for the meal)

Isader Le-Seudata is a song of a person whose point in the heart awakens and after a long preparation reaches the state when one enters the spiritual world, ascends and becomes ready to receive in order to bestow, and the light called “the meal of the righteous” enters him. One praises all the forces that he felt and through which he has risen to this high level, and “invites them to the meal” as he adheres to the Creator. Isader Le-Seudata is gratitude and reward for everyone who was on the path and helped one to reach the highest state.

27:01 Nigun (Melody)

Nigun is the expression of emotions without words. In the song, the words and melody operate together, but when there is just a melody itself, a person has to feel and express the missing words himself. A melody can change the essence of the words by emotions existing in it. The tune expresses one’s attitude to what the words say.

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Melodies of the Upper Worlds - Part 2

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