Bruckner: Symphony No. 4 in E-flat major, WAB 104 "Romantic". SD, Eugen Jochum. Rec. 1975 [SACD-Rip]

Anton Bruckner: Symphony No. 4 in E-flat major, WAB 104 "Romantic" (1878-1880 Version, Ed. Nowak)
00:00 - I. Bewegt, nicht zu schnell
17:51 - II. Andante quasi allegretto
34:35 - III. Scherzo (Bewegt) & Trio (Nicht zu schnell)
44:41 - IV. Finale (Bewegt, doch nicht zu schnell)

Staatskapelle Dresden, Eugen Jochum

Recorded at the Lukaskirche, Dresden on 1-7.XII.1975

Sound source:
Tower Records TDSA-256/64 [SACD]

This latest remastering of Eugen Jochum’s celebrated Bruckner cycle with the Staatskapelle Dresden has significantly improved sound with greater clarity and presence, especially in the first two movements of Symphony No. 8 (which were inexplicably recorded far more dimly than the remaining two). Jochum was a Bruckner conductor par excellence, and he identified with these symphonies more closely than most, if not all, other performers–so much so that his interpretive choices seem instinctual, giving the music an improvisatory feel. The headlong acceleration at the end of Symphony No. 1’s first movement, the swelling of the held note in the main theme of the Fifth Symphony, or the rapid tempos in the Ninth’s first movement development, and the brazenly loud horn call at the close of that movement’s recapitulation are just a few of the most telling examples.
Jochum’s preferred tempos tended to the quick, eschewing the meditative style of Bruckner performance (except of course when it came to those marvelous adagios, where he created an effect close to rapture). Throughout the set the Dresden orchestra plays magnificently, with the brass producing a craggy yet richly warm sonority that lends a stark grandeur to the performances (especially in moments like the climax of the Seventh’s adagio). In fact, these versions generally improve on the same conductor’s earlier cycle for Deutsche Grammophon, with perhaps the exception of the Fourth Symphony.
Jochum was committed to the Nowak texts, which means unfortunate cuts in the Second and Eighth symphonies, but so majestic is his sweep and bold his projection that Haas devotees will be willing to supplement with alternate recordings of those editions just to enjoy this magnificent set–a solution that MHS’s price makes utterly practical. -- Victor Carr Jr
https://www.classicstoday.com/review/revie...

"During the stereo era, Jochum recorded complete recordings with the Berlin Philharmonic and the Bavarian Radio Symphony Orchestra for the DG label from the late 1950s to the 1960s, which are also renowned as masterpieces. He also recorded several live recordings with the Royal Concertgebouw Orchestra and the Bamberg Symphony Orchestra, which have also been remastered and released numerous times as masterpieces. As is well known, he remains a highly respected Bruckner conductor. Among these recordings, this old EMI recording is held in a special position. It is no exaggeration to say that this complete recording stands at the pinnacle of all Bruckner recordings. This complete set was recorded when Jochum was between the ages of 73 and 77, and each recording took at least four days of careful sessions, demonstrating the meticulous attention to detail required at the time. This recording represents the culmination of Jochum's career, and there's much to be said for this complete set, particularly the rich performance of the previously under-appreciated "Early Symphonies," the grand scale and profound artistic achievement of the "5th" (1980), the penultimate recording of this set, and the exquisitely refined and exquisite Adagio of the "6th." This reissue also highlights the importance of Jochum's traditional style in the "4th" and "Late Symphonies." The performances convey a sense of inevitability in the tempo settings, a remarkable benefit of DSD. Sonically, the harmonically rich SACD layer is impressive, highlighting the beautiful orchestral characteristics and the commanding tone of Peter Damm's horn, in particular. Even with the brass instruments playing loudly, the overall sound is clear and clear, and the well-blended hall tone creates an overwhelming, enveloping sound, allowing you to fully enjoy the pleasure of listening to Bruckner." (2/2) Tower Records (November 10, 2022)" -- Google Translation
https://tower.jp/item/5593554

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