Peter Tosh's "Legalize It”/ Carlton Barrett’s most difficult hiat pattern in reggae history, get it…

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Peter Tosh's "Legalize It" is a groundbreaking reggae anthem that showcases one of the most intricate and challenging drum patterns in the genre. Released in 1976 as the title track of Tosh's debut solo album, this song not only advocates for cannabis legalization but also demonstrates the musical prowess of drummer Carlton Barrett14.

The One Drop Rhythm
At the heart of "Legalize It" is the iconic one drop rhythm, a style that Barrett helped popularize4. This reggae drum pattern is characterized by:
The dominant snare drum stroke and bass drum both sounding on the third beat of every four-bar measure
The first beat of the measure being left empty, creating the "one drop" effect
A steady hi-hat pattern that maintains the groove throughout the song1
Carlton Barrett's Innovative Technique
Barrett's drumming on "Legalize It" goes beyond the basic one drop rhythm, incorporating:
A highly syncopated, broken triplet pattern on the hi-hat
Dazzling drum introductions that set the tone for the entire track
Subtle variations and fills that add depth and complexity to the rhythm4
This intricate hi-hat work is what makes the drum pattern in "Legalize It" particularly challenging and distinctive. Barrett's ability to maintain this complex pattern while keeping the one drop groove solid is a testament to his skill as a drummer.
Impact and Legacy
"Legalize It" not only showcases Barrett's drumming prowess but also serves as a powerful political statement. The song was written in response to Tosh's experiences with police harassment and as a call for cannabis legalization, particularly for medical use2. Its impact extends beyond its musical innovation, making it a cultural touchstone in the reggae genre.

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