Tom Tuning Deconstructed

Let’s say you’re looking for the perfect combination of power and dynamics out of your toms. You want full tone, good attack and excellent dynamic range out of the softest rolls to the most aggressive. Your favorite drummers’ kits speak with this kind of authority so you want that for yourself. But you’re not totally sure how each of the parts of the drum contribute to this final sound. Do you need more muffling? Do you need a certain interval between the two heads? Or a specialized batter head to get there? If you’re not sure about any of that this is the video for you.

PATREON:
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PRODUCTION PARTNERS:
GIK Acoustics (sonic treatment): https://sladl.ink/GIK
AKG Audio (microphones): https://sladl.ink/AKG
Evans Drumheads: https://sladl.ink/EvansDrumheads
ProMark Drumsticks: https://sladl.ink/ProMarkDrumsticks

Signal chain:
Mics - Focusrite Clarett 8Pre USB- Mac Studio w/Pro Tools 2024.3.1
Recorded at 48kHz / 24bit
Microphones: Pair of AKG C314 in Recorderman Configuration
Toms: AKG C518M
Kick Drum: AKG D12vr
Snare: Lauten Snare Mic

Acoustic Treatment:
GIK 242 Acoustic Panels
GIK 4A Alpha Pro Series Diffusor/Absorber
GIK Evolution PolyFusor Combination Sound Diffuser/Absorber
GIK Tri-Trap Corner Bass Trap

Drums:
Pearl Maple Masters Custom Extra w/Ludwig LM400 ‘70s Supraphonic
Cymbals:
22” Jesse Simpson clone of old Zildjian A, 14” Jesse Simpson modded top hihat over Zildjian New Beat.

Drumheads:
Snare: Evans G12 Coated / Snare Side 300
Toms: Evans UV2 Coated / G1 Clear
Kick Drum: Evans UV EMAD without muffling ring / UV1 Coated White Reso

Hosted by: Cody Rahn
Production & Consulting: Ben O'Brien Smith @ Cadence Independent Media

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