Giovanni Kapsberger - La Villanella, Book 3 (1610): Figlio dormi

Giovanni Kapsberger - La Villanella, Book 3 (1610): Figlio dormi. Performed by Johannette Zomer (soprano), Pino de Vittorio (tenor), Hans-Jörg Mammel (tenor), with L'Arpeggiata, conducted by Christina Pluhar. Recorded June 2000 in Paris, France. Record label: Alpha.
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Giovanni Girolamo Kapsperger (also: Johann(es) Hieronymus Kapsberger or Giovanni Geronimo Kapsperger; c. 1580 – 17 January 1651) was an Austrian-Italian virtuoso performer and composer of the early Baroque period. A prolific and highly original composer, Kapsberger is chiefly remembered today for his lute and theorbo (chitarrone) music, which was seminal in the development of these as solo instruments.
Nothing is known about Kapsberger's date and place of birth. His father Colonel Wilhelm (Guglielmo) von Kapsperger was a military official of the Imperial House of Austria, and may have settled in Venice, the city which may have been Kapsberger's birthplace. After 1605 Kapsberger moved to Rome, where he quickly attained a reputation as a brilliant virtuoso. He cultivated connections with various powerful individuals and organizations; and himself organized "academies" in his house, which were counted among the "wonders of Rome". Around 1609 Kapsberger married Gerolima di Rossi, with whom he had at least three children. He started publishing his music at around the same time, with more than a dozen collections of music appearing during the next ten years. These included the celebrated Libro I d'intavolatura di lauto (1611), Kapsberger's only surviving collection of music for lute.
In 1624 Kapsperger entered the service of Cardinal Francesco Barberini, where he worked with numerous important composers (such as Girolamo Frescobaldi and Stefano Landi) and poets (which included Giulio Rospigliosi, the future Pope Clement IX). Kapsberger worked in Barberini's household until 1646. He died in 1651.
Kapsberger is best remembered as a composer for lute and theorbo. At least six collections were published during his lifetime, two of which are currently lost. Kapsberger's writing is characterized, especially in toccatas, by spontaneous changes, sharp contrasts, unusual rhythmic groupings and, sometimes, passages that do not conform to the rules of counterpoint that were in use at the time. The vast majority of contemporary critics praised Kapsberger's compositional skill and innovations. Among them was Athanasius Kircher, who described Kapsberger as a "superb genius" and attested that he has "successfully penetrated the secrets of music." One notable exception was the critic Giovanni Battista Doni, who was initially supportive of the composer, but then turned against him for unclear reasons and criticised his music in print.