TESLA DOGGIE - A Parody | Freedom Toast & Cinebot Video

Elon Musk's actions have caused significant reputational damage to his companies, particularly Tesla, due to his public statements and associations. This has led to boycotts, reduced sales, and a decline in brand image, impacting both Tesla's financial performance and Musk's personal brand. Furthermore, his haphazard disruption of government operations has, lead to a deeply negative perception of his leadership abilities.

Executive Producers Don Caron and Jerry Pender

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ABOUT THE ORIGINAL SONG

"(How Much Is) That Doggie in the Window?" is a popular novelty song written by Bob Merrill and first registered on September 25, 1952, as "The Doggie in the Window". On January 27, 1953, its sheet music was published in New York as "(How Much Is) That Doggie in the Window".

The best-known version of the song was the original, recorded by Patti Page on December 18, 1952, and released in January 1953 by Mercury Records as catalog numbers 70070 (78 rpm) and 70070X45 (45 rpm) under the title "The Doggie in the Window", with the flip side being "My Jealous Eyes". It reached No. 1 on both the Billboard and Cash Box charts in 1953 and sold over two million copies. Mercury, however, had poor distribution in the United Kingdom. Therefore, a recording by Lita Roza was the one most widely heard in that country, reaching No. 1 on the UK Singles Chart in 1953. It distinguished Roza as the first British woman to have a No. 1 hit in the UK chart and was also the first song with a question in the title to reach the top spot.

"Doggie" was one in a series of successful novelty songs since the 1930s, following on the success of songs such as Bing Crosby's "Pistol Packin' Mama" and Merv Griffin's "I've Got a Lovely Bunch of Coconuts". Prior to the release of "Doggie", composer Bob Merrill penned "If I Knew You Were Comin' I'd've Baked a Cake". The original Page recording included the sounds of dogs barking, credited on the label as "Barks by Joe and Mac" (her arranger, Joe Reisman, and a violinist). The recording also features Page's signature multi-part tight harmonies, all sung by Page. Over the course of her career, she also recorded several other versions.