Final Fight (Arcade Gameplay, "Guy", stg.4) ㅡ Industrial Area

The boutchannel presents: Final Fight ㅡ Industrial Area

Industrial Area stands as an emblematic chapter in Metro City’s memoirs: a factory of scorched metal, conveyor belts, and columns of fire that force every engagement into an economy of motion and timing. The stage’s architecture is intentionally punishing — and for Guy, this arc is a crucible where hit-and-run discipline and wall movement translate directly into survival and momentum.

0:00 Start
0:09 Teaser (0:09–0:36)
0:36 Channel Intro (0:36–1:01)
1:01 Stage Start — Guy's Unique Move
1:11 Columns of Fire — Timing and Safe Lanes
2:41 Drumcan Breaks — BBQ & Metal Weapons
3:32 Charge Waves — Bill Bulls and Sliding Threats
3:51 Conveyor Corridor — Hop Timing & Hazards
5:17 Elevator Approach — Grenade Patterns
6:00 Steak Drop Chaos — El Gado Surge
6:10 Rolento Boss Showdown — Grenade Baiting
6:41 Closing (6:41–7:07)

Begin each segment with situational awareness. Early columns of fire punish static behavior, so treat every step as a calculated investment: dodge, probe, and exploit brief windows to push rightward. The drumcans and metal scraps are not mere scenery; many conceal BBQ or metal weapons that shift the balance of combat. Prioritize breaking destructibles when safe, because pickups will determine whether a subsequent confrontation becomes manageable or lethal.

Enemies here adopt patterns that exploit the map. Bill Bulls and charging foes will force lateral retreats or careful baiting into hazards; El Gados and Simons disrupt your rhythm with sliding attacks. Use Guy’s off-the-wall kick to traverse narrow edges and to punish foes that rely on frontal pressure. When grouped, herd enemies into choke points and apply grab-to-throw sequences that redirect them into fire or into each other, converting crowd control into area denial.

The elevator and conveyor sequences escalate precision demands. Grenades and falling hazards require short-hop timing and controlled spacing; these sections are where Guy’s mobility is paramount. In the elevator approach to Rolento, exploit wall rebounds and the off-the-wall technique to close gaps quickly. If Rolento tosses grenades, hop and reposition — his projectile patterns create micro-openings for a rapid combo or a grab.

Rolento boss showdownㅡthen, Rolento’s showdown is the Industrial Area’s zenith of tension. He blends acrobatics with ranged harassment: a staff-based off-the-wall kick, swift stabs, and grenade runs that punish overcommitment. Patience is paramount; do not trade indiscriminately. When he executes his acrobatic maneuvers, counter with timed jumps or a short combo that leads into a grab.

The Industrial Area deepens the game’s lore of Mad Gear’s industrial corruption, reinforcing the idea that Metro City’s underbelly manufactures conflict itself. Mastery here refines throw placement, hazard awareness, and timing — all skills that translate to the later arcs of the campaign. Treat each risky gambit as a lesson; every successful passage through fire is an earned step toward the game’s legacy.

Thank you for joining us through Final Fight — Industrial Area. It’s all about rhythm: move, strike, and reposition.

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Release: December 1, 1989
Developer: Capcom
Publishers: Capcom, Ubisoft, Sega, U.S. Gold Ltd.
Producer: Yoshiki Okamoto
Designers: Akira Nishitani (Nin-Nin), Akira Yasuda (Akiman)
Artist: Akira Yasuda
Composers: Manami Matsumae, Yoshihiro Sakaguchi, Yasuaki Fujita, Hiromitsu Takaoka, Yoko Shimomura, Junko Tamiya, Harumi Fujita
Series: Final Fight
Rating: Everyone (ESRB)
Game Modes: Single Player, Up to 2 Players Cooperatively
Genres: Action, Brawler, Side-scrolling, Beat 'em up

Arcade, Super Nintendo Entertainment System, Amiga, Atari ST, Commodore 64, ZX Spectrum, Amstrad CPC, Sharp X68000, Game Boy Advance, Wii U, PlayStation 2, PlayStation Portable, Xbox, iPhone, PC

The game was acclaimed by critics. Mega magazine compared the Mega CD version of the game and placed it top of their list of the best Mega CD games of all time. The four reviewers of Electronic Gaming Monthly declared it a strong conversion of a game with "solid fighting action", although two of them also commented that "the necessity of the CD is questionable at best." On release of the Game Boy Advance version of the game, Famitsu magazine scored it a 31 out of 40.

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