Tips and tricks for programming OB6 style patch with dreadbox NYMPHES and why I love this synth

Exploring what I love about my NYMPHES 6-voice analog polyphonic synth and showing what it's like to program a patch from scratch.

00:34 dreadbox nymphes features explained
02:50 patch loading (and what to avoid)
04:15 loading INIT patch (edit trick)
04:40 improperly saving a patch while "vibing to that" (how to recover lost patch)
05:55 walking through NYMPHES sliders & parameters
07:05 NYMPHES LFO delay "secret sauce" and why I LOVE THIS SYNTH
07:55 NYMPHES price vs SEQUENTIAL Rev2 and SEQUENTIAL OB6
08:43 Envelope click similar to Prophet or Juno and failing to remove using Attack
09:57 returning to INIT patch to create a sound from scratch
10:19 talking about shift function during patch creation and the importance of going slow
12:07 making NYMPHES stereo
13:01 how to use EG with Cutoff on 0
13:30 making NYMPHES sound like an OB6
14:22 using LFO 1 for pitch modulation and "warble"
15:28 adding PWM (pulse width modulation) to this patch
16:07 using LFO 2 for PWM and wave modulation to simulate a Roland Juno-106 or HS60
18:57 80's callin' & getting freaky with LFO 2
20:10 final patch tweaks for clarity dialing back LFO 2 volume and adding Resonance to cut bass frequencies
23:43 playing the completed OB6-style patch mono & then stereo examples
24:35 final thoughts & outro playing other patches

I am using an Arturia KeyStep Pro as the MIDI controller and running the audio output of the dreadbox NYMPHES into my Electro-Harmonix Grand Canyon delay to create a huge stereo output from this little synth.