The Stupid, The Proud (Film Noir Tribute)

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A tribute to the classic film genre known as Film Noir.

FILM NOIR is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood's classical film noir period is generally regarded as extending from the early 1940s to the late 1950s.

Laura;
   / shoopdancer2504  

The Letter (1940)
Rebecca (1940)
The Maltese Falcon (1941)
Double Indemnity (1944)
Laura (1944)
Ministry of Fear (1944)
Murder My Sweet (1944)
Mildred Pierce (1945)
The Strange Love of Martha Ivers (1946)
Out of the Past (1947)
The Big Clock (1948)
Sorry Wrong Number (1948)
Criss Cross (1949)
The Set-Up (1949)
Thieves' Highway (1949)
The Third Man (1949)
The Asphalt Jungle (1950)
Gun Crazy aka Deadly is the Female (1950)
In a Lonely Place (1950)
Ace in the Hole (1951)
The Narrow Margin (1952)
The Big Heat (1953)
Pickup on South Street (1953)
The Killing (1956)
Touch of Evil (1958)

Cátia;
   / marsmoonlight  

Suspicion (1941)
A Woman's Face (1941)
The Glass Key (1942)
To Have and Have Not (1944)
Spellbound (1945)
The Big Sleep (1946)
The Blue Dahlia (1946)
Deception (1946)
Gilda (1946)
The Killers (1946)
Notorious (1946)
The Postman Always Rings Twice (1946)
Body and Soul (1947)
Dark Passage (1947)
Call Northside 777 (1948)
Key Largo (1948)
White Heat (1949)
Union Station (1950)
Sunset Boulevard (1950)
Human Desire (1954)
Pushover (1954)

Bonnie;
   / zztoprockman  

This Gun For Hire (1942)
Calling Dr. Death (1943)
Shadow of a Doubt (1943)
Phantom Lady (1944)
Woman in the Window (1944)
Fallen Angel (1945)
Scarlet Street (1945)
Born to Kill (1947)
Brighton Rock (1947)
Brute Force (1947)
Kiss of Death (1947)
The Lady from Shanghai (1947)
Force of Evil (1948)
Night and the City (1950)
He Ran all the Way (1951)
The Prowler (1951)
Strangers on a Train (1951)
Angel Face (1952)
Kiss Me Deadly (1955)
Night of the Hunter (1955)
Sweet Smell of Success (1957)