STOP Playing Scales! Use TRIADS to Follow Chords (Chord Tone Soloing Guitar Lesson)

This lesson teaches you how to instantly make your guitar solos sound more musical and professional by moving beyond simple pentatonic scales!

If you constantly feel stuck soloing or that your solos lack movement and connection to the harmony, this 10-minute lesson is your fix. I’ll be showing you the secret to Chord Tone Soloing by using triads inside the scale to truly follow the chord changes.

🎸 What We Cover in This Lesson:
The Triad Secret: How to locate and use minor and major triads within your existing minor pentatonic or Dorian scale shapes.

Following the Harmony: I’ll break down exactly how to target the chord tones of each changing chord (not just the root) for sophisticated phrasing.

Case Study: Reggae Groove: I’ll
apply this technique over a classic Reggae feel using the progression: Cm | Gm | F (the ii-vi-V progression in the key of Bb Major).

Tonal Center: Applying the C Dorian Mode (the ii mode of Bb Major) and how to incorporate triads within that framework.

🔥 Why Triads Beat Scales:
Running scales up and down is predictable. Using triads forces you to interact with the harmony, leading to melodic ideas that sound intentional, not accidental. This is the difference between an intermediate and an advanced player!

👉 Get the Full Tab, Backing Track, and Deep Dive:
If you want the complete workbook, sheet music, and the isolated backing track for this lesson, check out my Patreon community:

✅ Patreon:   / jonathanostguitar  
✅ Instagram:   / jonathanost  

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