Radha Raman Mere | Radharam Prakatya/Appearance Day 2020 | Bhajan

Originally Sung and Composed by Bhaiya Kishan Das ji

English Translation of the Song

Thanku for reminding me of this. Let me add the English translation in this comment :

Chorus:
May I never forget you,
And chant your name continuously throughout the day and night

Oh, my Beloved Radharaman, the lover of Radharani!

Verse 1:
You are decorated with peacock feather, big earrings, and your eyes are so beautiful and restless...
The locks of your hair touch your cheeks and appear like a bee taking nectar from a flower...
Please appear in my heart and remove the darkness of ignorance...

Oh dear Radharaman!

Verse 2 :

You are decorated with pearl strings, and the flute rests on your lips. With your beautiful looks and smile, you steal the hearts of everyone.
Although devotees run after you, but you, run after Sri Radha...
Oh dear Radharaman!

Verse 3:

Please hide me under the shadow of your mercy, i have been wandering from many lifetimes. Please take me out of the cycle of birth and death. Oh, my Master, I have an eternal relationship with You.

Oh dear Radharaman !


Gaana : https://gaana.com/song/radharaman-mere

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Hare Krsna!


Here is a recreation of the famous bhajan, Radharaman mere...

music and vocals : Harinaam Das

Originally Sung by Bhaiya Krishna Das ji, on Vipul Music

Brief History of Sri Radharaman.





Radha Raman means the lover (ramana) of Srimati Radha. The temple was established over 500 years ago by Gopala Bhatta Goswami.[2] At the age of thirty, Gopala Bhatta Gosvami came to Vrindavana. After Chaitanya Mahaprabhu's disappearance Gopala Bhatta Gosvami felt intense separation from the Lord. To relieve his devotee from the pangs of separation, the Lord instructed Gopala Bhatta in a dream "If you want my darshana then make a trip to Nepal".

In Nepal, Gopala Bhatta bathed in the famous Kali-Gandaki River. Upon dipping his waterpot in the river, he was surprised to see several Shaligrama shilas enter his pot. He dropped the shilas back into the river, but the shilas re-entered his pot when he refilled it.
Deity at Radha Raman Temple, Vrindavan.

Gopala Bhatta Gosvami found twelve Shaligrama shilas. It is believed that once a wealthy man came to Vrindavana and offered Gopala Bhatta a variety of clothes and ornaments for his Shaligramas in charity. However, Gopala Bhatta couldn't use these for his round-shaped Shaligramas. He advised the donor to give the deity decorations to someone else. It is believed that the donor refused to take them back and Gopala Bhatta kept the clothes and ornaments with his shilas.

On the Purnima (full moon) day, in the evening after offering naivedhya to his Shaligrama shilas, Gopala Bhatta put them to rest covering them with a wicker basket. Late in the night, Gopala Bhatta took a little rest. in the early morning he went to take bath in the Yamuna river. Returning from his bath, he uncovered the Shaligramas in order to render puja, and saw amongst them a Deity of Krishna playing the flute. There were now only eleven shilas and a Deity. The "Damodara shila" had manifested as the beautiful three-fold bending form of tri-bhangananda-krishna. In this way Radha Raman emerged in a perfectly shaped deity form from a sacred shaligrama shila.[3] Devotees consider this image to be alive and that he grants a chosen family the privilege of assisting him in his daily schedule.".[4] As a narrative account of actualized Krishna-bhakti, Radharamana's appearance story highlights the divine-human relationship of love as the ontologically central category of ultimate reality.[5]

The Prasad for Shri Radha Raman Ji is prepared by the male members of the Goswami families in the temple kitchen. The fire in the kitchen lit in early days of the temple still continues today. The Goswami families are allotted a calendar in advance for their personal seva (service) period and they perform seva accordingly.

Inside the temple complex, the samadhi of Srila Gopal Bhatta Goswami is also there.


#radharaman
#kabhibhuluna²
#Radharamanappearance2020