Tomás Bordalejo - Composer
After three years of jazz studies at the Institute of Contemporary Music in his native city, Tomás Bordalejo arrived in Paris in 2005 to pursue advanced studies. He joined the Gennevilliers conservatory, then the CRR of Paris and the Pôle supérieur de Création Boulogne-Billancourt. His meeting with the composer Bernard Cavanna at the Académie de Villecroze was decisive for his career. Peter Eötvös, Pascal Dusapin, Edith Canat de Chizy, Yan Maresz, Philippe Hersant, and Philippe Manoury also encouraged him to consolidate his own language marked by an original aesthetic.
His work is part of a genuine compositional research marked by a constant dialogue with the arts, architecture, urbanism and philosophy. Each piece bears witness to a staging of the sound material and a new reflection on the modes of play.
Tomás Bordalejo is a laureate of the Banque Populaire Foundation and in 2022 he won the the Sacem Prize "Francis and Mica Salabert"
Osculetur me, motet de Tomás BORDALEJO
Ego flos campi, motet de Tomás BORDALEJO
À L'AUBE - Pour violoncelle et piano
PARKOUR - Orquesta sinfónica nacional Argentina - Dirección : Hadrián Avila Arzuza
FETICHES teaser 2
FETICHES teaser 1
Cercles, pour piano seul
Baguala, pour piano seul
Portrait de Rita, for plucked string trio
Bureau 470 - CETC Teatro Colón, Buenos Aires, Argentine
Le Bel Itinéraire
The Magic Phallus (Scenes 2 & 4)
BUREAU 470 - Presentation
BUREAU 470
D'ombre et de lumière - Concerto pour Violon (Extrait 1)
Cercles - Extrait
Zapping 2 - Extrait
D'ombre et de Lumière - Concerto pour Violon (Extrait 3)
D'ombre et de Lumière - Concerto pour Violon (Extrait 2)
Office 470 - Trailer (English ST)
Oficina 470 - Trailer
Bureau 470 - teaser (long) ST Français
Bureau 470-teaser (court)