SUS OJOS SE CERRARON (C. Gardel) - Arrangement: B. Fingas - Bandoneon solo: Luis Caruana

Solos de Bandoneón - Tangos de Carlos Gardel -
Get your scorebook here: https://www.bernardofingas.com/arrang...
Luis Caruana interpreting SUS OJOS SE CERRARON (Carlos Gardel)


Arrangement especially written for 142 tone bisonoric Bandoneon.
Content: VOLVER, GOLONDRINAS, EL DIA QUE ME QUIERAS, SUS OJOS SE CERRARON, SOLEDAD

This song is part of a music book (PDF) and EP of five bandoneon solo arrangements, including the most beautiful tangos ever written by the legendary Carlos Gardel.
Whole EP in HQ here: https://bit.ly/SOLOSGARDELMUSIC
Rcording: Estudios ION, Buenos Aires
Mastering: Fernando Taverna, Mixo Estudios, Buenos Aires
Produced by Bernardo Fingas, November 2021, Buenos Aires
Video: Hernan Reig

Bernardo Fingas is a german bandoneonist, arranger, composer based in Buenos Aires.
If you are interested in this or other arrangements or personalized bandoneon-classes online
(German, English and Spanish) please feel free to contact Bernardo:
https://www.bernardofingas.com [email protected]

!!! Also available SOLOS DE BANDONEON vol I !!!
5 arrangements especially written for 142 tone bisonoric Bandoneon
with a preface from Rodolfo Mederos.
Content: GRICEL, GOLONDRINAS, NUNCA TUVO NOVIO, UNA EMOCION, MARIPOSITA.
5 Arrangements. 17 pages. Available in PDF format.

Listen here: https://bit.ly/solos-bandoneon
Contact: [email protected]


"When I heard the music of Astor Piazzolla in the 90s, living in Germany, I did not suspect that this experience could change my destiny. I traveled to Buenos Aires to study bandoneon. And now it's more than 15 years I have been living here and my bandoneon and the tango tango still share my way." Bernardo Fingas


In mid 1800, Heinrich Band invented the Bandoneón in Germany. The instrument's expressive range and superb colorful timbre, sweet on the left hand and somewhat sharp on the right, making it appropriate for a wide range of musical styles.
Emigrants introduced the instrument to Argentina about 1870, when it was absorbed into the emerging Tango genre. Metal reeds inside the instrument produce sound through the movement of the bellows. As a result, the Bandoneón appears to breathe like a human... a fact that many Tango lyrics allude to.