Raag Hindol by Swanandi Sadolikar _Painjaniya Mori Bajan lagi
Автор: Swanandi Sadolikar
Загружено: 2025-11-15
Просмотров: 471
In Raag Hindol, I presented two bandishes that together form a subtle narrative. In the first, the nayika expresses her hesitation: her beloved is calling her to meet him, yet she fears that the sound of her anklets will reveal to others that she is going to see him. In the second bandish, the situation shifts—she is alone, and it is now she who calls out to her beloved, inviting him to meet her. These contrasting moments beautifully portray the tenderness and delicacy of young love.
I selected these compositions to bring out this emotional nuance. Indian classical music offers immense scope for bhava—the creation and exploration of emotion. Here, meaning need not always be interpreted literally; instead, the emotional landscape of a situation can be expanded, deepened, and artistically expressed.
I welcome you to listen to this performance and experience these nuances yourself.
बंदिश १
पैंजनिया मोरी बाजन लागी
रुमझुम रुमझुम, कैसे मिलन जाऊँ, जागत सबही लुगैय्या
अंतरा
एक तो अंधेरी कारी बिजरी चमकत
मेहा बरसत मोहे डरावत चैन नहीं परत
बेग ही आवो सांवरिया
बंदिश २
सजनवा आ मोरे पास
सुनो सखी मोरी अपनी घर की तुरकी मुरकी
अंतरा
एक भला था सास ननदियां घर ना थी, रहूं मैं अकेली
सुनो सखी मोरा कछु दिया लिया आलिया
This programme was organised by Gandharva Mahavidyalay, Pune
Accompanists:-
Harmonium- Amey Bichhu
Tabla - Abhijeet Bartakke
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